Watching Andrew Jarecki's riveting non-fiction drama is like watching a slow-motion replay of a multi-car pileup; you know it's headed for disaster, but there's no way you can stop watching. On the surface, the Friedmans were a typical 1980s American family. Living in Great Neck, Long Island, Arnold was a well-respected teacher, Elaine was a dedicated mother, and their children Seth, Jesse, and David were model students. But one Thanksgiving, that happy façade came to a crashing halt. After the local police discovered Arnold had engaged in the buying and selling of child pornography, they questioned several students who attended his computer classes in the Friedman basement. What they revealed would shock the community, and destroy the Friedman family forever. The subsequent investigation and trial uncovered even deeper hidden secrets at an alarming rate, creating a rift between Arnold and Elaine that would never be reconciled. Jarecki uses present day interviews with Elaine, Jesse, and David, as well as Arnold's brother Howard, to provide some sort of insight on the situation, but it backfires, for everyone has a different story to tell. And then there is actual home video footage of the family in the midst of the hurricane, which gives the film an eerie, voyeuristic charge.
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A Sundance Grand Jury prize-winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Because the Friedmans had documented their own lives with copious home movies, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail; the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton
On the DVD:Like the film itself, the bonus disc that accompanies Capturing the Friedmans asks a lot of questions, offers a few pertinent answers, and leaves a legacy of mystery in a case that many never be fully solved. What really happened in the basement of the Friedman home in Great Neck, New York? Is Jesse as guilty as his father in the notorious case of child molestation? Additional excerpts of the Friedmans' home movies only deepen the uncertainty we feel after viewing the film, and video footage from two early premiere screenings demonstrates that emotions will continue to run high as long as lingering doubts remain. The "altercation" at the New York premiere is actually rather benign, but only because filmmaker Andrew Jarecki kept the crowd under control before arguments could boil over; at the Great Neck premiere, the case's judge gets a chance to comment on facts that the film omitted while praising its overall veracity. Uncut footage of the prosecution's star witness makes it clear that the case was on shaky ground; even more than in the film proper, this witness (whose face is hidden in shadow) comes off as marginally credible at best, and at worst a vindictive liar, further suggesting serious weaknesses in the prosecution's case.
On a lighter note, "Just a Clown"--the film Jarecki was making when he discovered the true scope of the Friedman story--is a delightful portrait of New York party clowns and their reigning king, David Friedman, whose business thrives as he caters to wealthy Manhattanites. It's clear proof that Jarecki's a gifted documentarian. A featurette about Andrea Morricone (son of the great film composer Ennio Morricone) highlights his creation of the film's evocative score. Returning to the Friedman case, an interactive dossier of Friedman-related media delves deeper into the lives and personalities of this dysfunctional American family, and "Jesse's Life Today" examines the ex-convict's relatively upbeat recovery from 13 years in prison for a crime he allegedly didn't commit. For armchair detectives, an extensive menu of pertinent documents are provided as DVD-ROM content, the most fascinating being Arthur Friedman's confessional "My Story," a psychologist's assessment of alleged vic! tims, and a curiously revealing "Friedman family contract." Taken together, these and other documents add even more complexity to the film's compelling, Rashomon-like study of truth. --Jeff Shannon
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