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Fur: An Imaginary Portrait of Diane Arbus (2006) - movie plots

Fur: An Imaginary Portrait of Diane Arbus (2006)

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70%
(6 votes)
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Directed by
Steven Shainberg

Written by
Erin Cressida Wilson, Patricia Bosworth

Cast
Nicole Kidman, Robert Downey Jr., Ty Burrell, Harris Yulin, Jane Alexander [more]


Release Date
• USA: Nov 10, 2006

Budget USD 12,000,000
BoxOffice: $0.1M

Official Website:
Fur: An Imaginary Portrait of Diane Arbus Website

MPAA Rating
Rated R for graphic nudity, some sexuality and language.

Country USA

Production Companies
Edward R. Pressman Film Corporation, River Road Films, Iron Films LLC, Vox3 Films, Furthefilm LLC

Studio New Line Cinema

More info on IMDb.com

Other Titles
• Fur
• Fur: An Imaginary Portrait of Diane Arbus (2006)



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 Synopses for Fur: An Imaginary Portrait of Diane Arbus (2006)
1.Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end.

In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist.
  
60%
(5 votes)

2.Steven Shainberg's FUR is a biographical film about the troubled life of Diane Arbus (Nicole Kidman), the groundbreaking and influential photographer who specialized in portraits of the bizarre and committed suicide in 1971.   
60%
(5 votes)



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