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Downfall (2004) - movie plots

Downfall (2004)

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90%
(242 votes)
Critic Rating
83%
(12 reviews)
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Original title: Untergang, Der

Directed by
Oliver Hirschbiegel

Written by
Joachim Fest, Traudl Junge

Cast
Bruno Ganz, Alexandra Maria Lara, Corinna Harfouch, Ulrich Matthes, Juliane Köhler [more]


Release Date
• USA: Feb 25, 2005
• UK: 1 Apr 2005
DVD Release Date
• R1: Aug 2, 2005

Budget EUR 13,500,000
BoxOffice: $0.6M

Official Website:
Downfall Website

MPAA Rating
Rated R for strong violence, disturbing images and some nudity.

Running Time
2 hours, 30 minutes

Country Germany, Italy, Austria

Studio Constantin Film

More info on IMDb.com

Other Titles
• Downfall
• Der Untergang (2004)
• The Downfall: Hitler and the End of the Third Reich



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 Synopses for Downfall (2004)
1.

The riveting subject of Downfall is nothing less than the disintegration of Adolf Hitler in mind, body, and soul. A 2005 Academy Award nominee for best foreign language film, this German historical drama stars Bruno Ganz (Wings of Desire) as Hitler, whose psychic meltdown is depicted in sobering detail, suggesting a fallen, pathetic dictator on the verge on insanity, resorting to suicide (along with Eva Braun and Joseph and Magda Goebbels) as his Nazi empire burns amidst chaos in mid-1945. While staging most of the film in the claustrophobic bunker where Hitler spent his final days, director Oliver Hirschbiegel (Das Experiment) dares to show the gentler human side of der Fuehrer, as opposed to the pure embodiment of evil so familiar from many other Nazi-era dramas. This balanced portrayal does not inspire sympathy, however: We simply see the complexity of Hitler's character in the greater context of his inevitable downfall, and a more realistic (and therefore more horrifying) biographical portrait of madness on both epic and intimate scales. By ending with a chilling clip from the 2002 documentary Blind Spot: Hitler's Secretary, this unforgettable film gains another dimension of sobering authenticity. --Jeff Shannon
  

2.April 1945, a nation awaits its... Called "dramatic, accurate and harrowing" by the San Francisco Chronicle and nominated for the Oscar for Best Foreign Film, Downfall takes you into Hitler's during the brutal and harrowing last days of the Third Reich. Seen through the eyes of Hitler's infamous secretary Traudl Junge, optimism crumbles into grim realization and terror as it becomes clear that Germany's defeat is inevitable. As the Russian army circles the city, the dimly lit halls of the underground refuge become an execution chamber for the Fuhrer and his closest advisors. Watch the trailer for DOWNFALL! Click on one of the following links: Windows Media - Hi 300K Windows Media - Lo 56K Real Player - High 300K Real Player - Low 56K   

3.When writer-producer Bernd Eichinger read the galleys of historian Joachim Fest's book "Der Untergang" ("The Downfall: Inside Hitler's Bunker, The Last Days of the Third Reich"), he knew he had found the dramatic key to a film he had wanted to make for decades, but never thought possible due to its scope. Fest's book focuses on the final days of the Reich, and Eichinger saw that the horrifying epic of Hitler and his people during his twelve years in power was reflected in those last twelve days in the bunker. "The final days tell us a lot about how the mass fanaticism functioned in the regime's earlier years and how it continued to reign until the bitter end," says Eichinger.

Eichinger read another very important book around the same time: the memoirs of Traudl Junge, Hitler's private secretary ("Until the Final Hour: Hitler's Last Secretary"). He recounts, "Fest gave me the time frame, Traudl Junge gave me the character who could hold it all together."

DOWNFALL is the first German film to broach the subject of Hitler straight-on since G.W. Pabst's 1956 film "DER LETSTE AKT" ("The Last Act") which was told from the point of view of an ordinary German soldier, played by Oskar Werner. Says director Oliver Hirschbiegel, "In terms of German film history, we are breaking new ground here, since there is no cinematic frame of reference. After reading the book, it was clear to me that if I committed myself, then it would have to be a total and complete commitment, meaning that I was going to spend two years of my life in the Third Reich, with all of those characters and that primitive ideology… My hair stood on end. My wife advised me against it. Yet I noticed that it just wouldn't leave me in peace, and in my heart, before accepting the project, I knew that I had already opened myself up to it." -- © Newmarket Films
  



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