The first feature Katsuhiro Otomo has written and directed since his watershed Akira (1988), Steamboy offers a fantastic, sepia-toned vision of the past-as-future. In place of the dystopic Neo-Tokyo of Akira, Steamboy is set in England in 1866. Young Ray Steam receives a Steam Ball, a mysterious, powerful device, from his inventor grandfather. Governments and businesses covet the Steam Ball, and Ray finds himself in a murderous conflict over its possession. He's also caught between his father, a 19th century Darth Vader who builds terrible weapons for an American arms merchant, and his grandfather, who believes science should improve people's lives. Otomo uses computer graphics to create dazzling visuals that few recent films--animated or live action--can match: monumental systems of gears and pistons; machines that dwarf the Tower of London; antique weapons of mass destruction. But the dazzling imagery can't disguise the lack of a coherent plot and the flimsiness of the characters.
Steamboy is being released in a dubbed version that's been shortened by 20 minutes, and a more satisfying subtitled version that preserves Otomo's original pacing. Both versions suggest that Steamboy is the work of an important filmmaker who can't quite shape his awesome visions into a effective narrative. (Rated PG-13 for action violence.) --Charles Solomon
DVD features The many extras on the DVD have been overproduced but underthought. "Animation Onion Skins" shows five scenes in various phases of production, but there are no captions or commentary to explain the significance of the stages or their relationship to each other. Several artists talk about the production in the "Multi-Screen Landscape Study" (a split-screen making-of for an exhibit in Japan), but nothing tells the viewer who they are or what they did. The interview with Otomo is less than a one-quarter as long as the very standard "Revoicing" featurette. --Charles Solomon
(25 votes)
2.
Katsuhiro Otomo, the master Japanese anime director behind the international success AKIRA, scores again with STEAMBOY, the inventive story of a family of inventors from Manchester, England, that gets ripped apart by greed, pride, and power. Ray Steam (voice of Anne Suzuki) is a young boy following in the footsteps of his father, Eddy (Masane Tsukayama), and grandfather, Lloyd (Katsuo Nakamura), scientists dedicated to advancing technology through the use of steam. When Lloyd invents a steam ball that has unheard-of possibilities, everyone wants it--world leaders, wealthy industrialists, and even the government--but most of them want it for evil purposes. And so it is up to Ray to protect the fate of the earth while also choosing between his father and grandfather. The background paintings and 3-D CGI animation are gorgeous, creating a gray-and-white palette of gear-driven machines that melds perfectly with the story, which takes the main characters to a major science exhibition in Victorian-era London. In addition to the original subtitled Japanese version, there is an English-language edition featuring the voices of Anna Paquin, Alfred Molina, and Patrick Stewart. STEAMBOY is an animated gem both kids and adults can enjoy.
(25 votes)
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