Other Titles • Land of the Dead (2005) • George Romero's Land of the Dead • Dead Reckoning • George A. Romero's Land of the Dead • Twilight of the Dead • La Terre des morts
Synopses for Land of the Dead (2005)
1.
Packed with more heart-pounding and blood-curdling thrills than any theater could show, this special Unrated Director’s Cut unleashes the ultimate vision of George A. Romero’s latest living-dead shock-fest! Starring Simon Baker, Dennis Hopper and John Leguizamo, Land of the Dead finds humanity’s last remnants battling to survive the unspeakable truth: The ravenous zombie hordes besieging their fortified city...are evolving!
(20 votes)
2.
It has been two decades since master filmmaker GEORGE A. ROMERO's zombies have stalked the screens of motion picture theaters. For years, fans around the world have been eagerly awaiting his return.
And now that day is here.
An all-new chapter of horror is about to begin…
George A. Romero's Land of the Dead is the acclaimed director's long-awaited return to the genre he invented, beginning with the seminal Night of the Living Dead and continuing with Dawn of the Dead and Day of the Dead.
In Romero's harrowing newest vision, the world (as humankind has known it) is merely a memory. In its place is the never-ending nightmare existence of us—the living—versus them—the "walkers." What's left of mankind is cordoned off behind the walls of a fortified city while the walking dead roam the vast wasteland beyond. The few wealthy and powerful try to maintain an illusion of life as it was, dwelling high above the city in the exclusive towers of Fiddler's Green, the last bastion of the ruling class. On the streets below, however, the remaining, less fortunate of the city's inhabitants eke out a hard-scrabble life, seeking what little solace they can in the vices available—gambling, flesh trade, drugs—anything that offers even a fleeting respite from the hell their lives have become.
Both the lofty heights of Fiddler's Green and the demoralizing lows of the city below are lorded over by a handful of ruthless opportunists, led by Kaufman (DENNIS HOPPER), who keeps his hands in everything, from real estate to less above-board pursuits. To bring food and other essential supplies to the occupants of the city and to allow the Green's well-to-do to acquire the scarce luxury items to which they were once accustomed, a hardened group of mercenaries—headed by Riley (SIMON BAKER) and his second-in-command, Cholo (JOHN LEGUIZAMO)—run retrieval missions outside the city, protected by their massive armored vehicle, Dead Reckoning. Riley and Cholo, like Kaufman, are in it for the money, which they hope to use for their own escapes— Riley to the North, with promises of "a world without fences" and freedom, and Cholo to the luxury of Fiddler's Green, far away from the violent life he has known.
While Kaufman and his employees concern themselves with commerce, life is changing both within and beyond the walls of the city. Unrest and anarchy are on the rise among the city's disenfranchised and outside, the army of the dead is changing, evolving, learning to organize and communicate.
When Cholo commandeers Dead Reckoning, intent on extorting millions out of Kaufman and his cronies, Riley and his ragtag group—including Slack (ASIA ARGENTO) and Charlie (ROBERT JOY)—are called into action to stop Cholo and, in the process, protect the city and its population from the growing army of evolving zombies storming its weakening perimeter.
Universal Pictures and Atmosphere Entertainment MM present A Mark Canton-Bernie Goldmann and Romero-Grunwald Production, in association with Wild Bunch: George A. Romero's Land of the Dead, starring Simon Baker, Dennis Hopper, Asia Argento, Robert Joy and John Leguizamo. Written and directed by Romero, the film is produced by MARK CANTON (Taking Lives), PETER GRUNWALD (Monkey Shines) and BERNIE GOLDMANN (Taking Lives).
Bolstered by the success of 28 Days Later, Shaun of the Dead, the Resident Evil movies and the hit remake of his own Dawn of the Dead, George A. Romero returns to the horror subgenre he invented with Land of the Dead. The fourth installment in Romero's zombie cycle (and the first since 1985's Day of the Dead) presents a logical progression of events since 1968's horror classic Night of the Living Dead: Zombies (also known as "stenches" for their rotting odor) are the dominant population, and they've begun to show signs of undead intelligence and gathering power. The wealthiest survivors live comfortably in a luxury high-rise within a barricaded safe zone, ignoring the horrors of the outside world while armed scavengers stage raids in the zombie-zone to gather much-needed food and supplies. Simon Baker and John Leguizamo play mercenaries-for-hire; Dennis Hopper is their nefarious boss; and horror favorite Asia Argento (daughter of Suspiria director Dario Argento) plays a former hooker recruited into Baker's scavenger squad. While none of this seems particularly fresh or inspired, Land of the Dead benefits from hints of the social satire that made Romero's earlier zombie films so memorable. Not so much funny as gruesomely peculiar, Romero's plot isn't as inventive as it could've been, but as a big-scale B-movie, Land of the Dead delivers a handful of shocks and horror-celebrity cameos (including gore-masters Tom Savini and Greg Nicotero) that should keep horror buffs happy until the next zombie opus comes along. --Jeff Shannon
(19 votes)
4.
The Dead Shall Inherit The Earth. Romero’s latest undead epic finds humanity’s last remnants battling to survive the unspeakable truth: The ravenous zombie hordes besieging their fortified city...are evolving!
(19 votes)
5.
The world (as humankind has known it) is merely a memory. In its place is the never-ending nightmare existence of us—the living—versus them—the “walkers.” What’s left of mankind is cordoned off behind the walls of a fortified city while the walking dead roam the vast wasteland beyond. The few wealthy and powerful try to maintain an illusion of life as it was, dwelling high above the city in the exclusive towers of Fiddler’s Green, the last bastion of the ruling class. On the streets below, however, the remaining, less fortunate of the city’s inhabitants eke out a hard-scrabble life, seeking what little solace they can in the vices available—gambling, flesh trade, drugs—anything that offers even a fleeting respite from the hell their lives have become.
Both the lofty heights of Fiddler’s Green and the demoralizing lows of the city below are lorded over by a handful of ruthless opportunists, led by Kaufman (DENNIS HOPPER), who keeps his hands in everything, from real estate to less above-board pursuits. To bring food and other essential supplies to the occupants of the city and to allow the Green’s well-to-do to acquire the scarce luxury items to which they were once accustomed, a hardened group of mercenaries—headed by Riley (SIMON BAKER) and his second-in-command, Cholo (JOHN LEGUIZAMO)—run retrieval missions outside the city, protected by their massive armored vehicle, Dead Reckoning. Riley and Cholo, like Kaufman, are in it for the money, which they hope to use for their own escapes— Riley to the North, with promises of “a world without fences” and freedom, and Cholo to the luxury of Fiddler’s Green, far away from the violent life he has known.
While Kaufman and his employees concern themselves with commerce, life is changing both within and beyond the walls of the city. Unrest and anarchy are on the rise among the city’s disenfranchised and outside, the army of the dead is changing, evolving, learning to organize and communicate.
When Cholo commandeers Dead Reckoning, intent on extorting millions out of Kaufman and his cronies, Riley and his ragtag group—including Slack (ASIA ARGENTO) and Charlie (ROBERT JOY)—are called into action to stop Cholo and, in the process, protect the city and its population from the growing army of evolving zombies storming its weakening perimeter.
(18 votes)
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