Other Titles • A Fistful of Dollars (1967) • Per un pugno di dollari • For a Fistfull of Dollars (1964) • Für eine Handvoll Dollar • For a Fistful of Dollars • Por un punado de dolares
Synopses for A Fistful of Dollars (1964)
1.
A Fistful of Dollars launched the spaghetti Western and catapulted Clint Eastwood to stardom. Based on Akira Kurosawa's 1961 samurai picture Yojimbo, it scored a resounding success (in Italy in 1964 and the U.S. in 1967), as did its sequels, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character--laconic, amoral, dangerous--as the Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the movie's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children. Instead it's every man for himself. Striking, too, was a new emphasis on violence, with stylized, almost balletic gunfights and baroque touches such as Eastwood's armored breastplate. The Dollars films had a marked influence on the Hollywood Western--for example, Sam Peckinpah's The Wild Bunch--but their most enduring legacy is Clint Eastwood himself. --Edward Buscombe
(15 votes)
2.
The first true Spaghetti Western follows the exploits of a nameless drifter (Clint Eastwood) who wanders into a town torn apart by greed, corruption, and revenge. The clever, tough-talking gunslinger then plays the town's two feuding families off each other to his own benefit. As members of each family are planted in the ground, the gold in his pockets gets heavier and heavier.
This violent remake of Akira Kurosawa's YOJIMBO made Eastwood a star, and sparked two sequels--FOR A FEW DOLLARS MORE and THE GOOD, THE BAD AND THE UGLY--to form what is now referred to as the Man with No Name trilogy. All three films starred Eastwood, featured Ennio Morricone's distinctive musical compositions, and were directed--in a wonderfully gritty style--by Sergio Leone. Although the film was not released in the United States until 1967, it was produced and released internationally in 1964.
(15 votes)
3.
Clint Eastwood's legendary "Man With No Name" makes his powerful debut in this thrilling, action-packed "new breed of western" (Motion Picture Herald) from the acclaimed director of The Good, The Bad and The Ugly and For A Few Dollars More. Exploding with blistering shoot-outs, dynamic performances and atmospheric cinematography, it's an undisputed classic of the genre.
A mysterious gunman (Eastwood) has just arrived in San Miguel, a grim, dusty border town where two rival bands of smugglers are terrorizing the impoverished citizens. A master of the "quick-draw," the stranger soon receives offers of employment from each gang. But his loyalty cannot be bought; he accepts both jobs ... and set in motion a plan to destroy both groups of criminals, pitting one against the other in a series of brilliantly orchestrated set-ups, showdowns and deadly confrontations.
(15 votes)
4.
This is the movie that launched the spaghetti Western and catapulted Clint Eastwood to stardom. Before director Sergio Leone picked him out, Clint had played only a few bit parts in features plus his role as Rowdy Yates in the TV Western series Rawhide. Leone cast him for his stillness and physical presence, famously remarking that when Michelangelo was asked what he had seen in a particular block of marble, he said Moses, but that what he, Leone, saw in Eastwood was just that, a block of marble. Leone also claimed that it was he who gave the character his trademark cigar and poncho, though Eastwood has said he brought his own wardrobe to Italy. Whoever takes credit, A Fistful of Dollars (Per un pugno di dollari in Italian) was an extraordinary success when launched in Italy in 1964. Eastwood had to wait longer for it to be a hit in the USA.
The film was based on Kurosawa's 1961 samurai picture Yojimbo, but Leone had forgotten to clear the copyright. Eventually a deal was done, but A Fistful of Dollars was not released in the USA until 1967. It scored an equally resounding success, as did its sequels in the Dollar Trilogy, For a Few Dollars More and The Good, the Bad and the Ugly. The advertising campaign promoted Eastwood's character, laconic, amoral, dangerous, as The Man with No Name (though in the film he's clearly referred to as Joe), and audiences loved the film's refreshing new take on the Western genre. Gone are the pieties about making the streets safe for women and children (women are virtually absent from the Trilogy). Instead it's every man for himself. Striking too was a new emphasis on violence, with stylised, almost balletic gunfights and baroque touches such as Eastwood's armoured breastplate. The popularity of the Dollars films had a marked influence on the Hollywood Western, for example Sam Peckinpah's The Wild Bunch, but its most enduring legacy is Clint Eastwood himself, still in action at the age of 70. --Edward Buscombe
(15 votes)
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