THIRTEEN (2003)
Reviewed by Jerry Saravia
RATING: Three stars and a half
The opening moments of "Thirteen" may cause audience walkouts or, in this case,
DVD walkouts. A close-up of a stoned girl is seen as the camera gently sways
vertically. Suddenly, we realize she is sitting on her bed and is breathing in
gas from a can of compressed air and sharing it with another girl. Then they
ask to be slapped and punched across the face, and they enjoy it. In just those
few moments, "Thirteen" encapsulates everything that we may think teenagers are
about - they enjoy violence and laugh at it. Their attitude is anything goes,
as long as they don't get caught, or if they get caught red-handed, they will
deny it.
The leading troubled girl is Tracy (Evan Rachel Wood), a straight A-student who
loves to write poetry. She lives with her mother, Melanie (Holly Hunter), and
her brother. Melanie runs a beauty salon from her kitchen (!) but it is barely
enough to pay for their house rent. Occasionally, Melanie's boyfriend (Jeremy
Sisto) stays over if he is not at the halfway house. Home is not grand but it
is not hell either. Then one day, Tracy is overwhelmed when she sees a few
girls led by Evie (Nikki Reed) get ogled by guys and watches them all storm off
like a locust. Tracy wants to be a part of that world, she wants to be liked
and to be popular. Before you can say that we entered the high-school world of
John Hughes, Tracy starts hanging out with Evie. They become best friends, they
indulge in drugs, sex, robbing clothing stores, partying, etc. Eventually Evie
moves in with Tracy after Evie convinces Melanie of a familial tragedy. What
can a mother do but be sympathetic to a 13-year-old?
But it is Tracy who starts to come apart. Her school grades plummet and
sometimes she doesn't bother showing up for class (the fact that she may have
to repeat a grade surprises her). She becomes more unsatisfied with her home
life, particularly her father's absence and her mother's boyfriend, who is
trying to be helpful. Tracy stars to cut her arm with a razor blade, just
enough to let go of the pain she feels. Meanwhile, Evie starts stealing from
Tracy and her mother. The lies and deceit mount, as does the drug-taking.
"Thirteen" is tough and uncompromising to be sure, but something is askew in
the depiction of Tracy's character. For one, I understand Tracy's need to cling
to something, to be part of a clique. I also understand the co-dependency of
Tracy to Evie and vice-versa. But for Tracy to be unhappy of her home life when
she seems to love her mother feels untrue, especially to the point of
mutilating her forearms (she used to cut her wrists). Call me a naive adult who
has never suffered to such an extent as a teenager, but I hardly believed that
Tracy's own ill-will and lack of self-image comes from an absent father. I
imagine it would realistically (the screenplay was written by Nikki Reed based
on actual experiences), but consider the girl we see before this wicked
transformation takes place - she never seemed mad at anyone until she met Evie.
It is like Evie drove Tracy to madness.
Most of "Thirteen" is shot with a hand-held digital camera, but the director
Catherine Hardwicke should have told her cameraman that not every scene needs
to be as wavy as a tsunami. Though I liked the icy blue-green look of the last
half of the film, some stable camera shots could have been put in place. We do
not need to be disoriented every second when the main character isn't always
disoriented (and make no mistake, the film is told from Tracy's subjective
point-of-view).
The performances are outstanding overall. Evan Rachel Wood and Nikki Reed are
completely credible as the co-dependent teenagers who look for anything wild to
do as an experiment, including kissing each other. Most notable are the mothers
in the film, including Holly Hunter who is mostly mortified at her daughter's
behavior. Hunter does have a nude scene with her boyfriend that is likely to
cause more flinching than anything else in the film. The other mother, Brooke
(Deborah Kara Unger) may or may not be Evie's real mother but she is not the
best guardian for Evie - no wonder Evie leaves her. Both Hunter and Unger get
credit for playing the most unglamorous female characters in their respective
careers.
"Thirteen" has moments of raw honesty and paints a fairly bleak picture of teen
life. The ending is a powerhouse delivering an emotional catharsis unlike any
seen in any teen film in recent memory. I just wish Tracy had been a more
rounded, full bodied character so we could understand the pain she feels. But
if this is what it is like to be thirteen in the 21st century, then I suppose I
should be counting my blessings.
For more reviews, check out JERRY AT THE MOVIES at
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Email: Faust668@aol.com, faustus_08520@yahoo.com
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