GOOD BYE LENIN!
---------------
East German Alexander Kerner (Daniel Brühl) adores his mother, Christiane
(Katrin Saß), who embraced the socialist state after her husband defected
to the West for his 'enemy of the state' girlfriend. In October of 1989,
Christiane is on her way to a 40th DDR celebration when she spies Alexander
among a group being arrested for protesting by the Wall and is stricken by
a heart attack, which, unattended for too long, leaves her in a coma. When
his mother miraculously comes to eight months later, Alexander is
determined to bring her home - and preserve the illusion that East Germany
has not been reunified with the West - in the European Film Award winner
"Good Bye, Lenin!"
Cowriter (with Bernd Lichtenberg, Hendrik Handloegten and Achim von
Borries)/director Wolfgang Becker has fashioned a sweet tale of the love of
a son for his mother set against a uniquely nostalgic backdrop. In
recreating his mother's world, a son comes to find his own idealistic
version of his former socialist government just as his mother ironically
comes to regret the decision which bound her to it.
The film begins as it ends, with old home movies depicting Christiane with
her young children and Alexander's fascination with the East German space
program. Despite his hero worship of Sigmund Jähn (Stefan Walz), ten years
later Alex is not a cosmonaut, but a television repair man. Alex's boyhood
conviction of August 26th, 1978 that 'we were world class' when the first
German in space was from the East has soured in adulthood, but he still
gives mom a wide berth as she composes humorous letters with a neighbor
critiquing the state's unfashionable manufacture of women's clothing.
While mom is in a coma, Alexander falls in love with her Russian nurse Lara
(Chulpan Khamatova, "Tuvalu"), whom he had first met at the protest, but is
dismayed when his sister Ariane (Maria Simon, "Luther") drops out of
college to work for her new live-in lover Rainer (Alexander Beyer), a West
German who manages a local Burger King. When mom returns home, Alex gives
Rainer a new, Eastern identity and convinces visitors, such as her old boss
Direktor Klapprath (Michael Gwisdek) to maintain the past, but Alex finds
himself fighting an ever growing battle of having to repackage grocery
products and produce fake television news programming. By the time Ariane
recognizes their dad Robert (Burghart Klaußner) at her drive-thru window,
mom is as tired of maintaining a long-held lie as her heart is of beating.
European Film Award Best Actor Brühl enlivens his dogged dedication to his
mother with his humorous struggle to reinvent the past. Brühl always keeps
one eye on the lookout for props, even in the midst of seducing Khamatova.
His romanticism is played off of nicely by Maria Simon's right angle turn
as his pragmatic sister. Katrin Saß has a delicate presence which hovers
above the turmoil being enacted on her behalf while Burghart Klaußner
emanates a gentle regret for what might have been. Florian Lukas is aces
as Alex's sidekick and coconspirator Denis, who seizes an opportunity to
act out his own fantasies.
Screenwriter/director Becker perhaps also uses Denis as a standin for
himself when he has Denis enthusiastically show a disinterested Alexander a
recreation of Kubrick's 2001 bone hurtling shot within the bouquet tossing
edit from his latest wedding video shoot. Kubrick is paid homage again
with Becker's replication of the fast motion "Clockwork Orange" sex scene
when Alex reassembles his mother's bedroom. Fellini's opening shot from
"La Dolce Vita" is honored when Alexander's mom wanders outside and is
astonished by the sight of a helicopter carrying the upper half of a Lenin
statue down the street.
Becker's sharpest bit of satire is how he has Alexander resolve his
mother's exposure to Western presence in the East with his most outrageous
made up newscast depicting West Germans scurrying over the Wall to 'defect'
to the East. Yet for all the humorous hysteria induced by the sight of
Coca Cola signs and a lack of Spreewald pickle jars, "Good Bye, Lenin!" is
at heart a tale of devotion warmed by nostalgia.
B+
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X-RT-RatingText: B+
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