BIG FISH
RATING: 7/10
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PLOT:
The story of an elderly man who likes to tell tall tales that everyone, but his
son, likes to hear. Upon his deathbed, his boy comes to see him one last time
and tries to figure out what his real father is like. As the tales unfold, we
see what actually drove the man and led him to fantasize so much. What was
real? What wasn't? Is it all just in the ear of the listener? Tim Burton
leading an orchestra of cinema...ensues.
CRITIQUE:
BIG FISH was one of the films that I was most looking forward to this year,
most notably because it was led by Tim Burton, the man behind some of my
favorite movies of all-time like EDWARD SCISSORHANDS and THE NIGHTMARE BEFORE
CHRISTMAS. But as I walked out of my screening, I realized that I was never
particularly overwhelmed or as emotionally involved as I would have liked to
have been, despite enjoying the film as a whole and being entertained. I could
see how the film could have reached down to my heartstrings and played them for
a few rounds, but I'm not sure if it was the mood that I was in, the structure
of the film itself (goes back and forth between the present and flashbacks
throughout) or the fact that we spend a little bit of time with many different
characters -- hence the lack of any major connection to just one -- but I just
wasn't able to relate to it more poignantly. It did, however, work effectively
on many other fronts including and foremost, its beauty of composition with a
variety of shots feeling like they came straight out of a fairy tale novel,
with its overall mood and atmosphere reinforcing that, as well as Danny
Elfman's lush score. I wanted to move into that small town of Spectre!
(although figuratively, it is a place that many people find themselves in life:
happy, yet complacent) The actors, and characters, were also well played,
specifically Ewan McGregor who overplayed his Southern accent as he did in DOWN
WITH LOVE and Jessica Lange, who it was nice to see back again. Incidentally,
can there be a greater actress to play the "young version" of Lange in this
film than Alison Lohmann? I think not. The smaller parts by Danny DeVito, the
always-adorable Helena Bonham Carter and Steve Buscemi also helped make the
quirky film, that much quirkier.
The bits that I liked best about the picture were its tall tales though, as
presented by the sturdy Albert Finney to his son Billy Crudup. Almost every
single yarn was a fun one to hear and see presented on the big screen (see
Giants, Two-Headed Asian Singers, Werewolves!) As the childhood stories built
to the more adult ones, the deeper nature of their meaning also grew, as did
the imagination of the man telling them. The entire film has a lot more
symbolism than I picked up on during my first viewing, but you don't need to
connect all those dots in order to enjoy the movie. The film's greatest
downside, in my opinion, was its predictability of conclusion, which I guessed
about as soon as the movie started, as well as its freakish similarity to
another such child-to-adult "fairy-tale" that won a few Oscars back in 1994,
called FORREST GUMP. I'm not even talking about the basic outline of a
small-town boy with a heavy Southern accent heading out into the world and
tumbling into all kinds of bizarre adventures. I'm talking about specifics too,
including his call to war, his deathbed scene with a parent, his lover named
Jenny, the advice he offers a friend who gets rich from it and so on and
yes...so forth. Very, very eerie. It was almost to a point that I expected the
lead character to start playing ping-pong and shake hands with a President, but
the film obviously has many differences as well, including its greater emphasis
on the surreal, the flighty, the magical and the Burton (all fans of the
visionary will sense him all around) In the end, the film plays sincerely,
moves at a nice pace, doesn't outstay its welcome and offers several funny
moments, intertwined with some emotional and entertaining ones. The film didn't
move or surprise me per se, but it's definitely a solid addition to Mr.
Burton's impressive resume and should fulfill all those who adore him.
Where's JoBlo coming from?
About Schmidt (7/10) - Beautiful Girls (9/10) - Chocolat (6/10) - The Family
Man (8/10) - The Nightmare Before Christmas (10/10) - Shrek (8/10) - Sleepy
Hollow (8/10)
Review Date: November 25, 2003
Director: Tim Burton
Writer: John August
Producers: Richard Zanuck, Dan Jinks, Bruce Cohen
Actors: Ewan McGregor as Young Edward
Albert Finney as Old Edward
Jessica Lange as Sandy
Genre: Drama
Year of Release: 2003
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(c) 2003 Berge Garabedian
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X-RT-RatingText: 7/10
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