THE LAST SAMURAI
4/5 stars
Date of Review: January 20th, 2004
REVIEW BY JOHN ULMER (Copyright, 2004)
After watching "Little Big Man" and "The Last Samurai" within a week of each
other, it seems as though they are both very similar. A man is taken in by
another culture, then freed and decides to defend them out of his own free
will. Both films bash Custer, too.
Edward D. Zwick, the man behind "Glory" and "Legends of the Fall", directs
the latter of the two before mentioned films. Here he creates a good --
although long -- portrait of one man who joined a war not many people know
about. It's not a great movie, but it's certainly a good one.
The hero is played by Tom Cruise. His name is Nathan Algren, and he is a
Civil War hero who is paid to read lines on stage in the year 1876,
fascinating onlookers with his knowledge and tales of the war -- when he's
not drunk, that is. When his performance is noticed by Sgt. Zebulah Grant
(Billy Connolly), he is offered a job to travel to Japan and train hundreds
of soldiers in the art of war. Why? Because the emperor of the country wants
to modernize Japan, but a band of Samurai are rebelling. They need to be
fought, but Japan's soldiers have no knowledge of modern weapons. Nathan
does.
During a battle between the Samurai and Nathan's battle, he shows great
courage and honor and is taken hostage by the Samurai, falling under the
care of Taka (Koyuki), whose husband was killed by Nathan in a bloody
showdown. The Samurai leader, Katsumoto (Ken Watanabe), is impressed by
Nathan and their "good conversations," and decides to train him in the way
of the Samurai.
Nathan falls in love (one of the biggest cliches of film history) with Taka,
although the romance never goes over the top, which was a pleasant relief.
But when Col. Benjamin Bagly (Tony Goldwyn) leads an army of Japanese into
battle against the Samurai, Nathan has to ask himself whom he will fight
for. The answer is somewhat predictable by any standard, and the ending is
somewhat ridiculous, but it's a good film and certainly one worth seeing if
you enjoy war films.
I've never been impressed by Tom Cruise, mainly because I've never seen him
stretch his roles. "Rain Man" is one of my favorite performances, but Cruise
plays Cruise. In "The Firm," Cruise plays Cruise. In "Top Gun," Cruise plays
Cruise. And now, in "The Last Samurai," Cruise once again plays Cruise. But
at least he manages to do more than a few different facial expressions in
this -- he's now added angry and sad to his list. In fact, Cruise does quite
well here. The thing is, he has yet to impress me by playing
someone...different. When someone can play an entirely different person
(like Hoffman in "Rain Man") and convince me that they are no longer that
familiar actor, it's always a great sign. I wish Cruise would try a more
daring film role for once.
Tony Goldwyn, who has always played good villains, is perfect here -- really
annoying with an evil-like voice that's actually just bland. It gets on your
nerves, which is a good thing. If he had played the hero, I would have left
the theater. (Or come pretty close to doing that. I've never left a theater,
and I never plan to.)
Ken Watanabe, who is receiving generous acclaim for his role, is pretty good
-- although I wouldn't say that his performance is deserving of an Oscar.
Zwick's downfall here is that he sometimes tries a bit too hard. He had
tried to turn "The Last Samurai" into both a political message and a rousing
epic, but when compared to something such as "Braveheart," it fails
miserably. I didn't feel very much for Cruise's character here. And there
are too many unneeded scenes that should have been left on the cutting room
floor.
And while I'm picking on the movie, another thing I noticed is that the
dialogue is sometimes corny and rather dumb. "Tell me how he died," an
emperor asks Nathan. "I'll tell you how he lived," Nathan replies.
Seriously, it's just a bit too heavy on the cornball moments sometimes. And
are we supposed to believe that Nathan would really survive a Samurai
attack, then a battle against an army of Japanese soldiers with guns and
cannons, left to be THE last man on the battlefield (hence the title)?
But the battle scenes are, for the most part, quite exhilarating; the acting
is very good (although I still don't think Cruise has stretched very far
from his other roles), and the direction fine. The two factors that reduced
this from a great rating to a very good one are the length and sometimes
quite silly dialogue. If you can stomach those two things, check out "The
Last Samurai."
- John Ulmer
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