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The Lord of the Rings: The Return of the King (2003) - movie notes

The Lord of the Rings: The Return of the King (2003)

User Rating
99%
(1225 votes)
Critic Rating
89%
(41 reviews)
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Quotes (166)
Trivia (1)
Plot Description
Soundtrack
Wallpapers
Shooting Locations
Popularity

Directed by
Peter Jackson

Written by
J.R.R. Tolkien, Frances Walsh

Cast
Noel Appleby, Alexandra Astin, Sean Astin, David Aston, John Bach [more]


Release Date
• USA: Dec 19, 2003
• UK: 11 Dec 2003
DVD Release Date
• R1: May 25, 2004
• R2: 25 May 2004

Budget USD 94,000,000

Official Website:
The Lord of the Rings: The Return of the King Website

MPAA Rating
Rated PG-13 for intense epic battle sequences and frightening images. (also extended edition)

Running Time
3 hours, 21 minutes

Country USA, New Zealand, Germany

Production Companies
New Line Cinema, WingNut Films, Lord Dritte Productions Deutschland Filmproduktion GmbH & Co. KG (in association with), The Saul Zaentz Company (licensor) (d/b/a Tolkien Enterprises)

Studio WingNut Films

More info on IMDb.com

Other Titles
• The Lord of the Rings: The Return of the King
• The Return of the King



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 Behind the Scenes

     About The Production
     Adapting The Novel
     About The Locations
     The Liberation Army & Costumes
     Stunts And Visual Effects

About The Production

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The title, The Return of the King, refers to Aragorn, played by Viggo Mortensen. The heir to the Kingdom of Gondor, Aragorn has hidden from his heritage, living out his life instead disguised as Strider, one of the mysterious Rangers – wanderers who perform discreet military operations against Sauron. Yet the throne of Gondor is empty. The Kingdom is in decline. As Sauron threatens to eradicate all the races of Middle-earth, the moment has come for him to step forward and face his urgent destiny to lead. "How do you assume the mantle of a king?" Jackson asks. "How do you take that on yourself? How do you say ‘I am the one that you must follow’? I think that is what he’s struggling with, because he has seen what power can do."

Ambivalent about his lineage and the ancestors who fell in disgrace through their quest for power, Aragorn struggles with personal doubts that he is truly the one. "He is the heir to the throne; he is the sole person capable of assuming this position in Minas Tirith, but he is unsure of his worthiness to lead mankind," comments Jackson. "Aragorn needs to believe in the nobility of his own people."

Mortensen identifies Aragorn with the image of the prodigal leader whose true nature is initially hidden, "from his companions and, for a while, from the world at large," he explains. "A person such as Aragorn, much like King Arthur or Moses, for example, is raised by non-blood relatives, hidden until he is ready to learn of his true identity and the great responsibility that is his birthright. Aragorn, who was brought up by the Elves in Rivendell and tutored by Elrond, must eventually fulfill a destiny that requires him to understand the complex and tragic history of Middle-earth, and to ensure a future born of hope and justice for all beings of that world."

Yet to Aragorn, the throne represents the very quest for power that tempted and ultimately destroyed his ancestors. Power would alter everything that makes him who he is. What Aragorn finds in his journey is that the call to lead is not for power at all. "What's at stake is a city which is falling to an enemy," explains co-screenwriter Philippa Boyens. "Many people will die as a result. Aragorn decides that if it is in him, and it is going to save people's lives, he will do it. He steps up to the mark. His motives are pure, which is one of the reasons he's not corrupted by The Ring. Because it's not power for power's sake."

With Sauron’s forces also comes recognition that death is encroaching with the irrevocable passage of time. Aragorn’s journey requires a confrontation with the very souls that betrayed his ancestors in the treacherous Paths of the Dead. It’s a road from which he may not return, yet he enters it without hesitation to stave off not only mass death but the intractable destruction of those he loves. "For me, the story is about confrontation with death, about the consequences of death for us and for those we love," Mortensen reflects. "That’s a significant reason why the story continues to resonate with modern audiences."

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 Awards

  • Won 2004 Academy Award for Best Music, Original Score
  • Won 2004 Academy Award for Best Visual Effects
  • Won 2004 Academy Award for Best Sound
  • Won 2004 Academy Award for Best Editing
  • Won 2004 Academy Award for Best Picture
  • Won 2004 Academy Award for Best Music, Original Song [For the song "Into the West".]
  • Won 2004 Academy Award for Best Makeup
  • Won 2004 Academy Award for Best Director
  • Won 2004 Academy Award for Best Costume Design
  • Won 2004 Academy Award for Best Writing, Screenplay Based on Material Previously Produced or Published
  • Won 2004 Academy Award for Best Art Direction-Set Decoration
  • Won 2004 BAFTA Award for Best Screenplay - Adapted
  • Won 2004 BAFTA Award for Best Cinematography
  • Won 2004 BAFTA Award for Best Achievement in Special Visual Effects
  • Won 2004 BAFTA Award for Best Film
  • Won 2004 Golden Globes Award for Best Motion Picture - Drama
  • Won 2004 Golden Globes Award for Best Original Score - Motion Picture
  • Won 2004 Golden Globes Award for Best Director - Motion Picture
  • Won 2004 Golden Globes Award for Best Original Song - Motion Picture [For the song "Into the West".]
  • Won 2004 MTV Movie Award for Best Movie
  • Won 2004 MTV Movie Award for Best Action Sequence [For the battle at Gondor.]
  • Nominated for 2004 BAFTA Award for Best Production Design
  • Nominated for 2004 BAFTA Award for Best Performance by an Actor in a Supporting Role
  • Nominated for 2004 BAFTA Award for Best Make Up/Hair






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Exorcist: The Beginning (2004)
Once Upon a Time in Mexico (2003)
Ewoks: The Battle for Endor (1985)

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