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Peeping Tom (1960) - movie plots

Peeping Tom (1960)

User Rating
88%
(26 votes)
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Directed by
Michael Powell

Written by
Leo Marks

Cast
Karlheinz Böhm, Moira Shearer, Anna Massey, Maxine Audley, Brenda Bruce [more]


DVD Release Date
• R1: Nov 9, 1999

Budget GBP 135,000

Running Time
1 hour, 41 minutes

Country UK

More info on IMDb.com

Other Titles
• Face of Fear
• The Fotographer of Panic
• Augen der Angst (1961)
• Le Voyeur (1960)
• A Tortura do Medo
• A Vítima do Medo
• El Fotógrafo del pánico
• Fotomodeller jages (1961)
• Kurkistelija (1983)
• De Loerder (1960)
• L'Occhio che uccide
• Peeping Tom - en smygtittare (1973)
• Pelon kasvot (2002)
• Smrt u ocima
• Tres rostros para el miedo



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 Synopses for Peeping Tom (1960)
1.

Michael Powell lays bare the cinema's dark voyeuristic underside in this disturbing 1960 psychodrama thriller. Handsome young Carl Boehm is Mark Lewis, a shy, socially clumsy young man shaped by the psychic scars of an emotionally abusive parent, in this case a psychologist father (Michael Powell in a perverse cameo) who subjected his son to nightmarish experiments in fear and recorded every interaction with a movie camera. Now Mark continues his father's work, sadistically killing young women with a phallic-like blade attached to his movie camera and filming their final, terrified moments for his definitive documentary on fear. Set in contemporary London, which Powell evokes in a lush, colorful seediness, this film presents Mark as much victim as villain and implicates the audience in his scopophilic activities as we become the spectators to his snuff film screenings. Comparisons to Hitchcock's Psycho, released the same year, are inevitable. Powell's film was reviled upon release, and it practically destroyed his career, ironic in light of the acclaim and success that greeted Psycho, but Powell's picture hit a little too close to home with its urban setting, full color photography, documentary techniques, and especially its uneasy connections between sex, violence, and the cinema. We can thank Martin Scorsese for sponsoring its 1979 rerelease, which presented the complete, uncut version to appreciative American audiences for the first time. This powerfully perverse film was years ahead of its time and remains one of the most disturbing and psychologically complex horror films ever made. --Sean Axmaker

  
60%
(15 votes)

2.Michael Powell directed this groundbreaking study in voyeurism, cinema, and obsession.

When Mark was a child, his father, a highly esteemed professor, used him as a form of laboratory rat in a series of experiments that tested various levels of fear. As an adult, Mark too maintains a fascination with terror, having matured into a psychopathic killer with a penchant for filming women on the verge of death. Since he works as a cameraman for a film studio, he easily indulges his fetish by luring aspiring actresses into isolated areas for "screen tests."

But then Mark meets Helen, a neighbor who wishes to become his friend... and the tormented murderer's downfall begins.
  
60%
(15 votes)

3.A frank exploration of voyeurism and violence, Michael Powell's extraordinary film is the story of a psychopathic cameraman – his childhood traumas, sexual crises, and murderous revenge as an adult. Reviled by critics upon its initial release for its deeply unsettling subject matter, the film has since been hailed as a masterpiece.   
60%
(15 votes)



 Recommended Movies
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Psycho (1960)
Blue Velvet (1986)
Clockwork Orange, A (1971)
Idle Mist (1998)
Butterfly Effect, The (2004)
Freeway (1996)
Howling, The (1981)
Devil's Advocate, The (1997)

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