Release Date: Aug 5, 2003 Region: 1 Runtime: 105 mins Studio: Disney / Buena Vista Audio:
ENGLISH: Dolby Digital 5.1 [CC] FRENCH: Dolby Digital Stereo
Video:
Standard 1.33:1 Color
Subtitles: [None] Packaging: Keep Case Rating: PG-13 Features:
Deleted Scenes Gag Reel "Breaking Down Bringing Down the House" Behind-the-Scenes Featurette Queen Latifah Music Video "Better Than the Rest" "The Godfather of Hop" Featurette - A Close-up look at Eugene Levy with tongue firmly planted in cheek. "Da Commentary" With Director Adam Shankman and Writer Jason Filardi
Release Date: Aug 5, 2003 Region: 1 Runtime: 105 mins Studio: Disney / Buena Vista Audio:
ENGLISH: Dolby Digital 5.1 [CC] FRENCH: Dolby Digital Stereo
Video:
Widescreen 2.35:1 Color (Anamorphic)
Subtitles: [None] Packaging: Keep Case Rating: PG-13 Features:
Deleted Scenes Gag Reel "Breaking Down Bringing Down the House" Behind-the-Scenes Featurette Queen Latifah Music Video "Better Than the Rest" "The Godfather of Hop" Featurette - A Close-up look at Eugene Levy with tongue firmly planted in cheek. "Da Commentary" With Director Adam Shankman and Writer Jason Filardi
The pleasingly contrasting comic styles of Queen Latifah and Steve Martin bring some energy to Bringing Down the House, an otherwise hopelessly formulaic comedy. Martin plays Peter, an uptight lawyer too obsessed with work to spend quality time with his kids. Into his life comes Queen Latifah as Charlene, an escaped convict who threatens to wreck his relationship with a wealthy but arch-conservative client (Joan Plowright, in high dudgeon) if Peter won't take up her case. Of course, Latifah's exuberant ways enchant his kids and bring out a looser, livelier side of Peter, all in a series of scenes so standard they hardly register. Thank goodness for Eugene Levy; as one of Peter's law partners with a taste for Charlene's bodacious brand of sexy, Levy's ingenious transformation from nebbish to loverman is the movie's secret weapon, stealthily planting comic explosions amidst the modest rice-krispie-crackle of the stale plot. --Bret Fetzer