Other Titles • The Devil's Backbone • El Espinazo del diablo (2001)
Synopses for The Devil's Backbone (2001)
1.
During the Spanish Civil War, newly orphaned Carlos is taken to a school for the children of those who died fighting against fascism. He is given the bed that formerly belonged to Santi, a boy who recently died during an attack in which a bomb dropped, landing in the school's courtyard undetonated, a reminder of impending danger. As the amputee headmistress (Marisa Paredes, ALL ABOUT MY MOTHER) and the embittered caretaker, Jacinto (Eduardo Noriega), engage in a love affair, the headmistress' cuckolded husband, the impotent but benevolent school doctor (Frederico Luppi) sits by passively. Meanwhile, after Santi's ghost repeatedly reveals itself to Carlos, another student spooks Carlos with a dark secret about the boy's death. War surrounds the school, violence infests it from within, and Carlos sets out to avenge the death of Santi.
Taking on themes such as the brutality of war and the loss of innocence, Guillermo del Toro's (MIMIC) film skillfully combines elements of war, gothic horror, melodrama, and adventure to create a work that functions as both a genre film and a politically resonant piece of nostalgia. THE DEVIL'S BACKBONE uses history as a means of transforming what would otherwise be a routine ghost story into a powerful and affecting statement.
(61 votes)
2.
From the director of Hellboy! Packed with added features, this ghost story centers on a middle-aged couple in 1939 Spain who run an isolated orphanage in Santa Lucia, which also doubles as a hiding place for Republican funds. When an unexploded bomb dropped by the Facists sits untouched in the courtyard, they suspect the schoolhouse is haunted.
(61 votes)
3.
As Guillermo Del Toro films go The Devil’s Backbone is a defining moment in his career, breaching the gap between International Art House and mainstream Hollywood success, it being his last film before Blade 2. Based within an orphanage during the Spanish Civil War of the 1930s, the film is driven by its characters and, just like his previous films (Cronos and Mimic), it draws on the supernatural to outline and re-define exactly what it is that drives them.
Although Del Toro insists that this is not a film about the Civil War, by trapping and threatening its inhabitants the orphanage inevitably becomes a mirror for the events outside. These four walls become a place of protection for boys who have been orphaned during the war, a place for them to lead a relatively normal existence full of school life, bullying and adventure. Their main source of the latter being Santi, a young ghost who haunts the halls looking for revenge for his recent murder. Yet the pivotal character who evokes real fear in the children is not the spirit, but the greedy, selfish Jacinto (Eduardo Noriega), a former orphan, whose experiences have left him with deep emotional scars. With a strong cast and even stronger imagery (created by cinematographer Guillermo Navarro) Del Toro whips up a hauntingly effective film about love, life and the afterlife.
On the DVD: entering the extras literally through the keyhole, there are several opportunities to obtain a deeper understanding of this disturbing film. A "Behind the Scenes" featurette includes the cast’s own character profiles and interpretation of the story, as well as Del Toro explaining his thoughts about the film and how he achieved some shots. Two of the sequences—"Aerial Bombardment" and "The Ghost"--can be seen in further technical detail, with film footage and computer animation combined to make a whole scene. A selection of storyboards can also be viewed which run alongside the soundtrack to the scene, with the option to intercut between storyboard and finished film. A theatrical trailer, a picture gallery and written biographies are standard. The film and additional features are in Spanish with English subtitles and menu. With Dolby 5:1 sound and a widescreen picture, the film not only looks and sounds, but also feels fantastically chilling. --Nikki Disney
(54 votes)
4.
The Devil's Backbone is a stylish and unpredictable supernatural chiller from director Guillermo del Toro (Blade 2, Cronos, Mimic) which deftly mixes horror, suspense and dark humor.
Twelve-year-old Carlos is the latest arrival to Santa Lucia School, an imposing stone building that shelters the orphans of the Republican militia and politicians during the last days of the Spanish Civil War. Carlos gradually uncovers the dark ties that bind the inhabitants of the school: hidden riches, sexual intrigue, and the restless ghost of a murdered student.
Presented by Agustin and Pedro Almodovar (All About My Mother) and starring Marisa Paredes (The Flower Of My Secret), Federico Luppi (Men With Guns) and Eduardo Noriega (Open Your Eyes). The Devil's Backbone is a richly atmospheric, genuinely thrilling ride in the tradition of The Others and The Sixth Sense.
(51 votes)
5.
Seething passions, wandering ghosts, and an unexploded bomb fill this beautifully filmed tale of war and suspense. Though The Devil's Backbone was advertised as a horror movie in the States, it's really more of a drama that happens to have ghosts in it. During the Spanish Civil War, young Carlos is abandoned at a completely isolated orphanage. The tensions therein have been building for years, exacerbated by the unexploded bomb resting menacingly in the courtyard. Bullies scheme, tempers flare, and a ghost that visits Carlos's bed seems to be the key to it all. The movie is full of excellent performances, especially by Marisa Paredes as the gruff-but-kind headmistress, Eduardo Noriega as the handyman with secrets to keep, and Federico Luppi as the benevolent professor who likes to keep deformed fetuses in jars. A rich, satisfying drama with some good, spooky fun thrown in. --Ali Davis
(50 votes)
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