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Pay It Forward (2000) - movie plots

Pay It Forward (2000)

User Rating
58%
(170 votes)
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Directed by
Mimi Leder

Written by
Catherine Ryan Hyde, Leslie Dixon

Cast
Kevin Spacey, Helen Hunt, Haley Joel Osment, Jay Mohr, James Caviezel [more]


Release Date
• USA: Oct 20, 2000
• UK: 26 Jan 2001
DVD Release Date
• R1: Feb 2, 2004
• R2: 30 Jul 2001

Budget $40,000,000

Official Website:
Pay It Forward Website

MPAA Rating
Rated PG-13 for mature thematic elements including substance abuse/recovery, some sexual situations, language and brief violence

Running Time
2 hours, 3 minutes

Country USA

Studio Bel-Air Entertainment, Tapestry Films

More info on IMDb.com

Other Titles
• Pay It Forward
• Das Glücksprinzip (2001)



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 Synopses for Pay It Forward (2000)
1.

Pay It Forward is a multi-level marketing scheme of the heart. Beginning as a seventh-grade class assignment to put into action an idea that could change the world, young Trevor McKinney (Haley Joel Osment) comes up with a plan to do good deeds for three people who then by way of payment each must do good turns for three other people. These nine people also must pay it forward and so on, ad infinitum. If successful, the resulting network of do-gooders ought to comprise the entire world. Trevor's attempts to get the ball rolling include befriending a junkie (James Caviezel) and trying to set up his recovering-alcoholic mother (Helen Hunt) with his burn-victim teacher (Kevin Spacey), who posed the assignment.

While this could have turned into unmitigated schmaltz, the acting elevates this film to mitigated schmaltz. By turns powerful and measured, the performances of Spacey, Hunt, and Osment can't make up for the many missteps in a screenplay that sanitizes the look of the lower-middle class and expects us to believe that homeless alcoholics and junkies speak in the elevated manner of grad students. (Can that really be Angie Dickinson as Hunt's dispossessed mother? Yes, it is!) The germ of the story is a good one, though, and one may wonder how it would have been handled by the likes of Frank Capra, who could balance sentiment with humor. But clearly Capra would never have let the ending of his version to take the nosedive into cliché and pathos that director Mimi Leder has allowed in this film. More than a few viewers will also recognize that Leder has blatantly borrowed her final image from Field of Dreams, where its intended effect was more keenly and honestly felt. --Jim Gay

  
100%
(2 votes)

2.Based on a best-selling novel by Catherine Ryan Hyde and boasting the star power of three prior Oscar winners--Kevin Spacey, Helen Hunt, and Haley Joel Osment--PAY IT FORWARD spins a heartwarming yarn about an 11-year-old boy who comes up with an utopian idea as a project for school. History teacher Eugene Simenot (Spacey) offers the same ongoing extra-credit assignment he has proffered every year: Come up with an idea that will change the world. However, he expects nothing more from his students than halfhearted efforts that fall far shy of their mark. Simenot is therefore unprepared for precocious, irrepressible Trevor McKinney (played with wide-eyed wonder by Osment), who conjures up a stunning scheme. Trevor suggests the concept that every person who benefits from someone else's good deed should "pay it forward," instead of paying it back, and in turn offer favors to three other people. The first guinea pig for Trevor's experiment is his overworked, imperfect mom (Helen Hunt) for whom he tries to find a boyfriend.

Director Mimi Leder, best known for such powerful thrillers as DEEP IMPACT, imbues the solid script of PAY IT FORWARD with a more grandiose aura. However, it is the movie's triumvirate of heralded stars--Spacey, Hunt, and Osment--that propels this compelling yarn.
  

3.Just imagine. You do a favor that really helps someone and tell him or her not to pay it back, but to pay it forward to three other people who, in turn each pay it forward to three more - and on and on into a global outpouring of kindness and decency. Impossible? Junior high student Trevor McKinney won't accept that.



Haley Joel Osment plays Trevor, who starts a chain reaction of goodness for his social studies project in this bittersweet and uplifting tale directed by Mimi Leder (Deep Impact), based on the novel by Catherine Ryan Hyde and also starring Academy Award® winners Kevin Spacey and Helen Hunt. How much impact can one heartfelt idea have? Do yourself a favor and find out: see Pay It Forward.
  

4.Director Mimi Leder's third movie, Pay it Forward, finds her moving into softer, more intimate territory after making her name with a pair of high-budget action spectaculars, The Peacemaker and Deep Impact. This is a would-be heart-warming fable about the power of human kindness, but it's handled with such heavy sententiousness as to suggest that she might do better sticking to the big-bang stuff. Haley Joel Osment (The Sixth Sense, A.I.), son of a struggling lone parent (Helen Hunt) in Las Vegas, is influenced by inspirational teacher Kevin Spacey to come up with a scheme for social betterment: do acts of benevolence to three people, each of whom then does something good for three more, and so on. Inevitably, the lad's first ventures come to grief, but then the idea starts catching on and spreading, and a reporter in Los Angeles gets wind of it. This Readers Digest-ish scenario, treated with great solemnity by Leder and screenwriter Leslie Dixon, leaves the cast struggling to make something individual out of their pre-cooked roles. As you'd expect given such a line-up of acting talent, several scenes come off better than they deserve, and Spacey in particular does wonders with what is, in effect, two Hollywood clichés rolled into one: not just "offbeat inspirational teacher" but "shy, reclusive burns victim" as well. Interesting, too, to see a Vegas-set movie that shows a low-rent side of the city well away from the glitz and glamour of the Strip. But in the end, all else is drowned out by the clatter of predetermined plot-points being hammered home.

On the DVD: Extras include a commentary from Leder, and a 13-minute "making-of" documentary that includes cast and director interviews. None of it, though, tells us much we couldn't have gathered from the movie. The clean widescreen (1.85:1) print and the Dolby 5.1 sound deliver on quality, and come fully into their own in the all-out bravura finale--shameless tear-jerking on a grand scale. --Philip Kemp

  



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