George Jung (Johnny Depp) doesn't want to live like his father (Ray Liotta)--always short of money and constantly berated by his mother (Rachel Griffiths). So he sets off for California to live on the beach, where he finds he can make a living selling drugs. Soon George's drug dealing business expands into shipping drugs across the country. Needing a bigger supply of drugs, he travels to Columbia and meets Pablo Escobar (Cliff Curtis). Before long, George becomes the biggest trafficker of cocaine in the United States. In BLOW, director Ted Demme and scriptwriters Nick Cassevetes and David McKenna chart George's strange course into a world of girls and sun, drugs and fun. It's all so easy until events change George's life forever.
Depp gives one of his best performances as George, instilling the character with a complicated mixture of emotions. For the supporting roles, Demme's eccentric casting includes German actress Franka Potente as George's girlfriend; Spanish actress Penélope Cruz as his wife; Australian actress Rachel Griffiths (who in real life is five years younger than Depp) as his withering mother; and Paul Reubens (in an excellent performance) as a hairdresser-cum-drug dealer.
(11 votes)
2.
Based on a true story, Blow gives us a fast-paced look at the quick rise and fall of George Jung (Johnny Depp) who became a premier importer of Colombian cocaine, in the turbulent 1970?s, forever changing the face of drugs in America.
(9 votes)
3.
A briskly paced hybrid of Boogie Nights and Goodfellas, Blow chronicles the three-decade rise and fall of George Jung (Johnny Depp), a normal American kid who makes a personal vow against poverty, builds a marijuana empire in the 1960s, multiplies his fortune with the Colombian Medellín cocaine cartel, and blows it all with a series of police busts culminating in one final, long-term jail sentence. "Your dad's a loser," says this absentee father to his estranged but beloved daughter, and he's right: Blow is the story of a nice guy who made wrong choices all his life, almost single-handedly created the American cocaine trade and got exactly what he deserved. Directed by Ted Demme, the film is vibrantly entertaining, painstakingly authentic... and utterly aimless in terms of overall purpose. We can't sympathise with Jung's meteoric rise to wealth and the wild life, and Demme isn't suggesting that we should idolise a drug dealer. So what, exactly, is the point of Blow? Simply, it seems, to present Jung's story as the epitome of the coke-driven glory days, and to suggest, ever so subtly, that Jung isn't such a bad guy, after all. Anyone curious about his lifestyle will find this film amazing, and there's plenty of humour mixed with the constant threat of violence and paranoid anxiety. Demme has also populated the film with a fantastic supporting cast (although Penelopé Cruz grows tiresome as Jung's hedonistic wife), and this is certainly a compelling look at the other side of Traffic. Still, one wishes that Blow had a more viable reason for being: like a wild party, it leaves you with a hangover and a vague feeling of regret. --Jeff Shannon, Amazon.com
(8 votes)
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