For the scene where Willis gets in his car and chases his younger self--who is fleeing on a bicycle--Turteltaub had run out of time in the last week to shoot it on the streets. Instead, the second unit filmed the background, then Willis was shot in the foreground in a parked Porsche on a soundstage in front of a green screen, pretending to be driving.
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Close-ups of Willis's face at the airport at night had to be shot on a soundstage. Crew members used fog and the same lights from the shoot at the airport to re-create the scene on a soundstage for Willis to do his close-ups.
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