Other Titles • What Women Want • Was Frauen wollen (2001)
Synopses for What Women Want (2000)
1.
It must've made for a great pitch meeting: Male chauvinist advertising executive gains the ability to hear the thoughts of any woman around him. Add Mel Gibson--as Nick, the divorced "man's man" who can charm almost any woman into bed--and you've got high-concept comedy made in Hollywood heaven, right? Not necessarily. The smartest thing director Nancy Meyers did with What Women Want is dispose of this ludicrous plot contrivance before it wears out its welcome. It's fun to see Mel react to a deafening chorus of female thoughts, but his dubious "gift"--courtesy of an accidental electro-shock in his bathtub--is a mixed blessing for the audience. The women in Nick's life conveniently think in complete sitcom-friendly sentences, and the novelty quickly wears thin.
The movie improves by focusing on the fallout of Nick's predicament. Exploiting his unfair advantage, he sabotages the career of his new boss (Helen Hunt) even as he's falling in love with her; says all the right things to the aspiring actress (Marisa Tomei) who previously spurned his advances; and uses mind reading to curry favor with his 15-year-old daughter (Ashley Johnson). This two-faced scheming isn't malicious, however, and What Women Want is blessed by Gibson's amiably nuanced performance. His graceful riff on Fred Astaire is a dazzling surprise, and as Nick reforms, Gibson takes major credit for whatever depth this movie achieves. After a bit of nonsense, What Women Want has a lot to say about male and female behavior, be it noble or unappealing. It's both amusing and truthful, and that's almost as fun as a glimpse into someone else's brain. --Jeff Shannon
(15 votes)
2.
Director, writer, and producer Nancy Meyers's (THE PARENT TRAP) sophomore directorial effort is a lively screwball fantasy featuring Mel Gibson in his first romantic comedy. Gibson plays Nick Marshall, a high-flying chauvinistic Chicago advertising executive who, like his musical idol, Frank Sinatra, calls women "baby" and believes he has the world on a string. Nick experiences a rude awakening when the creative director position he coveted goes to Darcy Maguire (Helen Hunt), a savvy outsider--and a woman--who intends to aggressively pursue the lucrative women's market. While trying to brainstorm ideas for "feminine" products, Nick experiences a freak accident that gives him the ability to hear women's thoughts. Determined to win back his stolen job, Nick uses his terrifying yet useful new talent to scrutinize Darcy and finds his smart, beautiful rival may not be the "bitch on wheels" he imagined. Meanwhile, he also must maneuver carefully within complex relationships with his estranged teenage daughter, Alex (Ashley Johnson), and a pretty coffee shop waitress, Lola (Marisa Tomei). Once Nick begins to listen to the new voices he hears, his previous worldview is challenged, and he finds that he finally might understand what women want.
(15 votes)
3.
A Chicago advertising exec, Nick Marshall (Mel Gibson) gets a whole new outlook on life when a fluke accident gives him the ability to read womenÂ's minds. At first, this gift provides Nick with way too much information, but he begins to realize that he can use it to good effect, especially when it comes to outwitting his new boss, Darcy McGuire (Helen Hunt). In spite of his best efforts to finesse Darcy, he soon finds himself falling in love and ultimately understanding what women want.
(15 votes)
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