Thomas Crown (Pierce Bronson) is a self-made billionaire who can buy anything he wants and is irresistible to women. But there are some things that money can't buy. Thomas Crown has run out of challenges. When an alarm sounds at a a world class museum and someone walks out with a priceless Monet, Crown is the last person the New York police suspect. Who would steel something he could easily afford to buy and why would he? But one person suspects him: Catherine Banning (Renne Ruso), the brilliant female investigator hired to retrieve the painting no matter what it takes. Catherine loves the chase as much as he does and she's on to his game. Crown has found his challenge.
THE THOMAS CROWN AFFAIR is based on the 1968 movie with the same title staring Steve McQueen and Faye Dunnaway.
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"Pierce Brosnan and Rene Russo catch fire" (USA Today) in this sizzling, suspense-filled thriller from the director of Die Hard and The Hunt For Red October.
Thrill-seeking billionaire Thomas Crown (Brosnan) loves nothing more than courting disaster - and winning! So when his world becomes too stiflingly "safe," he pulls off his boldest stunt ever: stealing a priceless painting - in broad daylight - from one of Manhattan's most heavily-guarded museums. But his post-heist excitement soon pales beside an even greater challenge: Catherine Banning (Russo). A beautiful insurance investigator hired to retrieve the artwork, Catherine's every bit as intelligent, cunning and hungry for adventure as he is. And just when Thomas realizes he's finally met his match, she skillfully leads him into a daring game of cat and mouse that's more intoxicating - and dangerous - than anything either of them has ever experienced before.
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For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.
What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker (the Academy should too, hopefully). With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark Englehart
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