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Thirteen Days (2000) - movie plots

Thirteen Days (2000)

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Directed by
Roger Donaldson

Written by
Ernest R. May, Philip D. Zelikow

Cast
Shawn Driscoll, Kevin Costner, Drake Cook, Lucinda Jenney, Caitlin Wachs [more]


Release Date
• USA: Dec 25, 2000
• UK: 16 Mar 2001
DVD Release Date
• R1: Jul 10, 2001
• R2: 4 Feb 2002

Budget $80,000,000

Official Website:
Thirteen Days Website

MPAA Rating
Rated PG-13 for brief strong language.

Running Time
2 hours, 25 minutes

Country USA

Production Companies
Beacon Communications LLC, New Line Cinema, Tig Productions

Studio Beacon Pictures

More info on IMDb.com

Other Titles
• Thirteen Days
• Thirteen Days Which Shocked the World (2000)
• 13 Days



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 Synopses for Thirteen Days (2000)
1.

When released in December 2000, Thirteen Days was pummeled for taking liberties with the facts of the Cuban missile crisis and smothering its compelling drama with phony Boston accents by its primary stars. More tolerant critics hailed it as one of the year's best films, and that's the opinion to believe for anyone who enjoys taut, intelligent political thrillers. For those too young to relate directly to the timeless urgency of the crisis that played out over 13 days in October 1962, Thirteen Days joins the classic TV treatment The Missiles of October (1973) as an intense and thought-provoking study of leadership under pressure.

The film (and costar-coproducer Kevin Costner) drew criticism for fictionally enhancing the White House role of presidential aide Kenneth O'Donnell, but while Costner's Boston accent may be grating, his fine performance as O'Donnell offers expert witness to the crisis, its nerve-wracking escalation, and the efforts of John F. Kennedy (Bruce Greenwood) and Robert F. Kennedy (Steven Culp) to negotiate a peaceful settlement with Russia. While Soviet missiles approach operational status in Cuba, director Roger Donaldson (who directed Costner in No Way Out) cuts to exciting U.S. Navy flights over the missile site, ramping up the tension that history itself provided. Donaldson's occasional use of black and white is self-consciously distracting, and he's further guilty of allowing a shrillness (along with repetitive, ominous shots of nuclear explosions) to invade the urgency of David Self's screenplay. Still, as Hollywood history lessons go, Thirteen Days is riveting stuff. You may find yourself wondering what might happen if reality presented a repeat scenario under less intelligent leadership. --Jeff Shannon

  

2.For thirteen extraordinary days in October of 1962, the world stood on the brink of an unthinkable catastrophe. Across the globe, people anxiously awaited the outcome of a harrowing political, diplomatic and military confrontation that threatened to end in an apocalyptic nuclear exchange between the United States and the Soviet Union.



In Thirteen Days, the power and peril of the American presidency is dramatically explored by director Roger Donaldson, who captures the urgency, suspense and paralyzing chaos of the Cuban Missile Crisis.



The alarming escalation of events during those fateful days brought to the fore such public figures as Robert McNamara, Adlai Stevenson, Theodore Sorenson, Andrei Gromyko, Anatoly Dobrynin, McGeorge Bundy, Dean Acheson, Dean Rusk, and General Curtis LeMay. In addition many others -- politicians, diplomats and soldiers -- were on the front line of the showdown. In Thirteen Days, we see all of these people, -- and, above all -- President John F. Kennedy and his brother Bobby, through the eyes of a trusted presidential aide and confidante, Kenneth P. O'Donnell (Kevin Costner).



O'Donnell, who served as Special Assistant to the President, was a key White House insider with a birdseye view of the crisis. His office was next door to the President's Oval Office, and he was a major behind the scenes figure in the Kennedy White House. In the film, O'Donnell serves as a conduit to this gripping dramatization of one of the most dangerous moments in modern history.



The film moves from the bitter debates that lingered within 1600 Pennsylvania Avenue to the skies above Cuba, where U.S. spy planes reveal the progressive missile build-up, and to the high seas, where a standoff between U.S. and Soviet ships threatens to trigger war.



While mounting evidence suggests that the risk of a nuclear exchange was far greater than previously imagined, no one will ever know everything that happened behind closed doors at the White House. But, drawing on numerous historical sources, including White House tapes, memoirs, oral histories, CIA documents and personal interviews, screenwriter David Self has dramatized and woven together a story inspired by the events of October 1962 into a memorable thriller. Thirteen Days is, at its heart, a story of men who, through a stunning and bold combination of force and diplomacy, attained their shining moment in what appeared to be the nation's darkest hour.
  

3."Extraordinary! It keeps you hanging on every twist and turn." - Donald Anson - Newsweek



For thirteen days in October, 1962, the United States and the Soviet Union stood on the brink of war over the discovery of Soviet weapons in Cuba. President John F. Kennedy (Bruce Greenwood), Bobby Kennedy (Steven Culp) and Special Assistant to the President Kenneth P. O'Donnell (Kevin Costner) struggle to prevent nuclear war.
  

4.On its theatrical release Thirteen Days was pummelled by American critics for taking liberties with the facts of the Cuban missile crisis and smothering its compelling drama with phoney Boston accents by its primary stars. But anyone who enjoys taut, intelligent political thrillers will find little to complain about here. Co-star and co-producer Kevin Costner drew criticism for fictionally enhancing the White House role of presidential aide Kenneth O'Donnell, but while Costner's Boston accent may be grating, his fine performance as O'Donnell offers expert witness to the crisis, its nerve-wracking escalation and the efforts of John F Kennedy (Bruce Greenwood) and Robert F Kennedy (Steven Culp) to negotiate a peaceful settlement with Russia. While Soviet missiles approach operational status in Cuba, director Roger Donaldson (who directed Costner in No Way Out) cuts to exciting US Navy flights over the missile site, ramping up the tension that history itself provided. Donaldson's occasional use of black and white is self-consciously distracting, and he's further guilty of allowing a shrillness (along with repetitive, ominous shots of nuclear explosions) to invade the urgency of David Self's screenplay. Still, as Hollywood history lessons go, Thirteen Days is riveting stuff. You may find yourself wondering what might happen if reality presented a repeat scenario under less intelligent leadership.--Jeff Shannon, Amazon.com   



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