Low-budget film that won Aronofsky "Best Director" at 1998's Sundance Film Festival. Gritty, inventive black-and-white photography drives this story of genius mathematician Max Cohen who is exploring the possible existence of discernible patterns in the stock market. With the aid of Euclid, his home grown supercomputer, Max stumbles upon a bug that crashes his system and spits out a seemingly meaningless number. A knowledgeable friend gives him insight using the ancient game of Go and warns of the spiritual ramifications of powerful numbers. A Hasidic cabalistic sect and representatives from an extremely powerful Wall Street firm then attempt to extract the number from him, by whatever means necessary, for their own ill-gotten gains.
(15 votes)
2.
A brilliant mathematician teeters on the brink of insanity as he searches for an elusive numerical code in this critically acclaimed, sci-fi thriller! Maximilian Cohen (Gullette) is on the verge of the most important discovery of his life. For the past 10 years, he has been attempting to decode the numerical pattern beneath the ultimate system of ordered chaos - the stock market. As Max verges on a solution, chaos is swallowing the world around him. Pursued by an aggressive Wall Street firm set on financial domination and a Kaballah sect intent on unlocking the secrets behind their ancient holy texts, Max races to crack the code, hoping to defy the madness that looms before him. Instead, he uncovers a secret for which everyone is willing to kill.
(15 votes)
3.
Patterns exist everywhere: in nature, in science, in religion, in business. Max Cohen (played hauntingly by Sean Gullette) is a mathematician searching for these patterns in everything. Yet, he's not the only one, and everyone from Wall Street investors, looking to break the market, to Hasidic Jews, searching for the 216-digit number that reveals the true name of God, are trying to get their hands on Max. This dark, low-budget film was shot in black and white by director Darren Aronofsky. With eerie music, voice-overs, and overt symbolism enhancing the somber mood, Aronofsky has created a disturbing look at the world. Max is deeply paranoid, holed up in his apartment with his computer Euclid, obsessively studying chaos theory. Blinding headaches and hallucinogenic visions only feed his paranoia as he attempts to remain aloof from the world, venturing out only to meet his mentor, Sol Robeson (Mark Margolis), who for some mysterious reason feels Max should take a break from his research. Pi is complex--occasionally toocomplex--but the psychological drama and the loose sci-fi elements make this a worthwhile, albeit consuming, watch. Pi won the Director's Award at the 1998 Sundance Film Festival. --Jenny Brown
(15 votes)
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