Other Titles • Planet of the Apes • The Visitor • Planet der Affen (2001)
Synopses for Planet of the Apes (2001)
1.
Billed as a "reimagining" of the original 1968 film, Tim Burton's extraordinary Planet of the Apes constantly borders on greatness, adhering to the spirit of Pierre Boulle's original novel while exploring fresh and inventive ideas and paying honorable tribute to the '68 sci-fi classic. Burton's gifts for eccentric inspiration and visual ingenuity make this a movie that's as entertaining as it is provocative, beginning with Rick Baker's best-ever ape makeup (hand that man an Oscar®!), and continuing through the surprisingly nuanced performances and breathtaking production design. Add to all this an intelligent screenplay that turns Boulle's speculative reversal--the dominance of apes over humans--into a provocative study of civil rights and civil war. The film finally goes too far with a woefully misguided ending that pays weak homage to the original, but everything preceding that misfire is astonishingly right.
While attempting the space-pod retrieval of a chimpanzee test pilot, Major Leo Davidson (Mark Wahlberg) enters a magnetic storm that propels him into the distant future, where he crash-lands on the ape-ruled planet. Among the primitively civilized apes, treatment of enslaved humans is a divisive issue: senator's daughter Ari (Helena Bonham Carter) advocates equality while the ruthless General Thade (Tim Roth) promotes extermination. While Davidson ignites a human rebellion, this conflict is explored with admirable depth and emotion, and sharp dialogue allows Burton's exceptional cast to bring remarkable expressiveness to their embattled ape characters, most notably in the comic relief of orangutan slave trader Limbo (played to perfection by Paul Giamatti). Classic lines from the original film are cleverly reversed (including an unbilled cameo for Charlton Heston, in ape regalia as Thade's dying father), and while this tale of interspecies warfare leads to an ironic conclusion that's not altogether satisfying, it still bears the ripe fruit of a timeless what-if idea. --Jeff Shannon
DVD features The DVD release of Tim Burton's Planet of the Apes is so loaded that the second disc needs six screens to list all of the features--or maybe it's just an excuse to show off the great-looking animated menus. The most interesting features are six substantial documentaries about aspects of the filming, including examinations of how the apes run and a spotlight on Lake Powell, where both this film and the 1968 original were shot. The "enhanced viewing mode" on disc 1 is fun: picture-in-picture video segments offer actor comments or shots of sets and miniatures, and Easter eggs provide access to even more background on the visual effects. There's also a commentary track by Burton (he had to be convinced to remake Apes) and another one with isolated score by composer Danny Elfman, discussing how he works with frequent collaborator Burton and the current state of film composing. But don't expect Burton to give an explanation of the film's much-discussed conclusion, and no alternate ending appears among the DVD's five rather routine extended scenes. --David Horiuchi
(15 votes)
2.
In remaking this classic sci-fi horror film, director Tim Burton takes on a whopping challenge and succeeds. Astronaut Leo Davidson (Mark Wahlberg) is part of a space station crew that, in the year 2029, is conducting experiments in training genetically engineered chimps to perform complex away missions. When Leo's chimp disappears into a worm hole, Leo unadvisedly goes after him, ending up in a parallel world in which the monkeys are the keepers and humans are traded and caged like animals. It's a horrifying place, and the whole atmosphere, colored by Burton's direction and Rick Baker's incredible special effects makeup, is charged with terror. Leo becomes a heroic figure in the eyes of his defeated human brethren, and he puts his trust--and his hope for escape--in Ari (Helena Bonham Carter), a forward-thinking ape who believes in human rights. But Leo has formidable opponents in Thade (Tim Roth) and Attar (Michael Clark Duncan), two power-hungry, testosterone-charged apes who wish to rid the planet of humans altogether. This excellent rendition of PLANET OF THE APES is more than just a remake: it includes intense physicality on the part of the actors, complex mythology lacing the story, chilling philosophical realizations, and an amazing cameo by original APES star Charlton Heston. The combination of those complex parts make for a riveting viewing experience.
(15 votes)
3.
Rule the planet with this thrilling, action-packed epic from legendary director Tim Burton (Sleep Hollow, Batman).
After a spectacular crash-landing on an uncharted planet, brash astronaut Leo Davidson (Mark Wahlberg) finds himself trapped in a savage world where talking apes dominate the human race. Desperate to find a way home, Leo must evade the invincible gorilla army led by ruthless General Thade (Tim Roth) and his most trusted warrior, Attar (Michael Clarke Duncan). Now the pulse-pounding race is on to reach a sacred temple that may hold the shocking secrets of mankind's past- and the last hope for its salvation!
(15 votes)
4.
It is the year 2029: Astronaut Leo Davidson (Mark Wahlberg) boards a pod cruiser on a Space Station for a "routine" reconnaissance mission. But an aburupt detour through a space time wormhole lands him on a strange planet where talking apes rule over the human race. With the help of a sympathetic chimpanzee activist named Ari (Helena Bonham-Carter) and a small band of human rebels, Leo leads the effort to evade the advancing Gorilla Army led by General Thade (Tim Roth) and his most trusted warrior Attar (Michael Clarke Duncan). Now the race is on to reach a sacred temple within the planet's Forbidden Zone to discover the shocking secrets of mankind's past - and the key to it's future.
(15 votes)
5.
Tim Burton's "re-imagining" of Planet of the Apes is about one thing above all else: monkey movement. But for most filmgoers, whether fans of the 1967 original or not, that’s simply not enough. Thematically the story of an outsider in a society that doesn't know what to do with him chimes in nicely with Burton's other work. As always with Burton, the focus is more on what's colourfully going on around the central character (Mark Wahlberg) than his own story. It all looks stunning, of course, as make-up, set design and costumes outdo the accomplishments of the original. But otherwise a direct comparison with the classic version simply shows up holes in the Burton approach. The breakneck pace at which the pared-down plot is told makes little sense of the material and misses all the satire and social comment potential. What sold the idea to Burton was the opportunity to goof around with apes as humans: as a result the background is constantly peppered with lame visual gags which fall as flat as the unnecessary homages to Charlton Heston, who pops up repeating lines of his own dialogue from the first movie. Slick, action-packed and ultimately nonsensical, this is the film that made a monkey of Tim Burton.
On the DVD: balancing out the disappointing movie experience is an exceptional 13 hours of extra material. From the heavily CG-animated menus, you'll encounter some standard fare like libraries of promo material (posters, ads and trailers) and concept art. But they're enormous, as are the 26 cast and crew text profiles. If the THX optimiser tests don't convince you of the need for top equipment, there's DVD-ROM and NUON-enhanced player features as well. The "White Rabbit" Enhanced Viewing Mode for FX vignettes and four multi-angle featurettes on shooting scenes may seem a little dry, but the other features ranging from 10 to 30 minutes aren't. You'll find it hard picking a favourite between Rick Baker gushing over the lifetime dream of ape make-up, Michael Clarke Duncan playing to camera on location, or Danny Elfman at work on the scoring stage. Of the two commentaries Elfman’s is better by far, even if somewhat sporadic and clearly not recorded to picture. Burton's is typically fragmented, and is certainly not the place to discover what on earth the "shock-value-for-the-sake-of-it" ending means. --Paul Tonks
(15 votes)
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