Director Alexander (Citizen Ruth) Payne's second film, based on the novel by Jim Perotta, takes the scandal and mudslinging associated with presidential elections and transposes them to a high school election for student council president in Nebraska- with impossibly sharp, satirical results. Matthew Broderick, in a reversal of Ferris Bueller, plays Jim McAllister, a teacher who will stop at nothing to prevent perfect Tracy Flick (Reese Witherspoon), who is running unopposed, from winning the election. Jim, who bears a personal grudge against Tracy, goads a popular but dim football player into running against her. This spurs on a series strange events, (both madcap and surprisingly sexual) which add up to an uncommonly funny high school film for grown ups. Performances are great all-around and Payne uses shifting-narration and a series of freeze frames which give the film a rich and layered feel.
2.
Reese Witherspoon plays Tracy Flick, a straight-A go-getter determined to be president of Carver High's student body. Popular teacher Jim McAlister (Broderick) decides to derail Tracy's obsessive overachieving by recruiting an opposition candidate. Mr. M never imagines that stopping Tracy is like trying to put toothpaste back in the tube.
3.
Matthew Broderick makes up for years of wet-noodle performances with his low-key but unsparing characterisation of Jim McAllister, a high-school teacher at George Washington Carver High School in Omaha, Nebraska. Driven by a strange mixture of loathing and lust for pathologically overachieving student Tracy Flick (Reese Witherspoon), McAllister encourages a dim but popular athlete, Paul (Chris Klein from American Pie), to run against her in the election for student-council president. Director/co-writer Alexander Payne (Citizen Ruth) turns this deceptively simple premise into a complex and scathing comedy of ambition, corruption and desire, all at its most naked and petty. Every scene contains some painfully funny nuance that will make you wince in a mixture of astonishment and empathy. Witherspoon flips effortlessly back and forth from adolescent vulnerability to steely-eyed strength; she is becoming a contemporary Carole Lombard. The movie itself feels like a magnificent throwback to the richly layered comedies of the 1930s, which drew their humour from sharply drawn characters and twisting plots instead of explosions of bodily fluids. With a wealth of smart, cutting details, Election rewards multiple viewing. --Bret Fetzer
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