Fantastical writer Gary Ross (Big, Dave) makes an auspicious directorial debut with this inspired and oddly touching comedy about two '90s kids (Tobey Maguire and Reese Witherspoon) thrust into the black-and-white TV world of Pleasantville, a Leave It to Beaver-style sitcom complete with picket fences, corner malt shop, and warm chocolate chip cookies. When a somewhat unusual remote control (provided by repairman Don Knotts) transports them from the jaded real world to G-rated TV land, Maguire and Witherspoon are forced to play along as Bud and Mary Sue, the obedient children of George and Betty Parker (William H. Macy and Joan Allen). Maguire, an obsessive Pleasantville devotee, understands the need for not toppling the natural balance of things; Witherspoon, on the other hand, starts shaking the town up, most notably when she takes basketball stud Skip (Paul Walker) up to Lover's Lane for some modern-day fun and games. Soon enough, Pleasantville's teens are discovering sex along with--gasp!--rock & roll, free thinking, and soul-changing Technicolor. Filled with delightful and shrewd details about sitcom life (no toilets, no double beds, only two streets in the town), Pleasantville is a joy to watch, not only for its comedy but for the groundbreaking visual effects and astonishing production design as the town gradually transforms from crisp black and white to glorious color. Ross does tip his hand a bit about halfway through the film, obscuring the movie's basic message of the unpredictability of life with overloaded and obvious symbolism, as the black-and-white denizens of the town gang up on the "coloreds" and impose rules of conduct to keep their strait-laced town laced up. Still, the characterizations from the phenomenal cast--especially repressed housewife Allen and soda-shop owner Jeff Daniels, doing some of their best work ever--will keep you emotionally invested in the film's outcome, and waiting to see Pleasantville in all its final Technicolor glory. --Mark Englehart
(20 votes)
2.
Two modern American teenagers are sucked into their television set and end up living in a black-and-white fifties sitcom. Bewildered by their new world's naivete and innocence, they slowly start to add color and spice to the town's life. Eventually, however, they begin to question their influence, wondering if their advanced 90's attitudes are really that much better than those of the innocent past. Sterling effects and stand-out performances make this commentary on modern life a poignant, entertaining effort.
(20 votes)
3.
When '90s teens David and Jennifer (Maguire and Witherspoon) get zapped into the perfect suburbia of the black & white '50s sitcom, Pleasantville, what results is a "visionary adventure" (Peter Travers, Rolling Stone) that Siskel and Ebert give "Two big thumbs up!"
Pleasantville's perfect people includes a mild-mannered soda jerk (Daniels), a socially repressed mom (Allen) and a father who always knows best (Macy). But, when '90s pop culture clashes with '50s family values, chaos ensues, turning the town of Pleasantville upside down and black and white into color.
(19 votes)
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