Heavy on atmosphere and light on everything else, From Hell is visually impressive while lacking the depth of the acclaimed graphic novel it's based upon. Making their third feature since 1993's Menace II Society, twins Allen and Albert Hughes approach the Jack the Ripper case with physical precision, re-creating the gritty Whitechapel district of 1888 London in meticulous detail. What they've forgotten is the sheer terror that gripped Whitechapel in the wake of the Ripper's slaying of five prostitutes, investigated here by a Scotland Yard sleuth (Johnny Depp) who uses opium, laudanum, and absinthe to fuel his semiprescient visions of the slayings. Heather Graham attempts a slippery Cockney accent as a would-be victim, while Ian Holm steals the show as a has-been surgeon with devilish delusions of grandeur. Violence is obliquely suggested or briefly graphic, but no matter how you cut it, From Hell is only marginally thrilling as it treads familiar territory. --Jeff Shannon
2.
FROM HELL is a gory detective film cloaked in Victorian-era mystique. The movie shows how the serial killer Jack the Ripper stalked the dark streets of 1888 London, slaying prostitutes and crudely dissecting their bodies. Based on the graphic novel written by Alan Moore and Eddie Campbell, this moody chiller is directed by twin brothers Albert and Allen Hughes (MENACE II SOCIETY, AMERICAN PIMP). Johnny Depp stars as Inspector Frederick Abberline, who smokes heavy doses of opium and drowns himself in absinthe to evoke hallucinatory visions that are his clues to catching the Ripper. Heather Graham costars as the prettiest of the floozies, who wins the muted affections of the Inspector.
With plenty of atmosphere and spooky effects, FROM HELL borrows scenery, filming tricks, and sequence construction from a host of popular movies, resulting in a visually interesting--if inconsistent--style. Haunting nighttime shots of the London skyline (actually Prague) bleed into shadowy Tim Burton-like prowls through the damp cobblestone streets; aerial camerawork contrasts with crowded ground-level focuses; and the camera peeks around corners and into foggy windows with stealthy curiosity. What may stand out most in viewers minds after the carnage is through, is the exaggerated use of surround sound, which brings a dreadful sense of reality to the film's gore, making FROM HELL all the juicier.
3.
"A Gripping and Stylish Thriller." -Lou Lumenick, New York Post
While Jack the Ripper ruled the streets of London, terror reigned. His crimes were unspeakable. His blood lust, unquenchable. His identity, unknown… until now! Johnny Depp and Heather Graham are riveting in this "engrossing, stylish thriller" (People Magazine). Directed by the Hughes Brothers (Dead Presidents, Menace II Society), From Hell "grips tighter than a chokehold and cuts as deep as a knife." (The Washington Post)
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