Other Titles • Fear and Loathing in Las Vegas (1998)
Synopses for Fear and Loathing in Las Vegas (1998)
1.
Journalist Raoul Duke (Johnny Depp) heads to Las Vegas to cover a motorcycle race, bringing along his Samoan lawyer, Dr. Gonzo (Benicio Del Toro), in this furious adaptation of the book by Hunter S. Thompson. It is 1971, and Duke and Gonzo are on their way to Sin City with a frightened hitchhiker (a nearly unrecognizable Tobey Maguire) and a trunkful of drugs, which they ingest nonstop. Depp is terrific as Duke, Thompson's alter ego, and Del Toro is a riot as the crazy lawyer. To perfect his Thompsonian performance, Depp spent a lot of time with the good doctor, and it paid off in a film that captures the frenetic pace of the counterculture novel. Director Terry Gilliam, a master of complex, bizarre visual imagery, has a field day interpreting the drug-hazed world that Duke and Gonzo reside in. An all-star cast chimes in with wonderfully offbeat bit parts, including Harry Dean Stanton, Gilliam regular Katherine Helmond, Flea, Cameron Diaz, Ellen Barkin, Christina Ricci, Gary Busey, Lyle Lovett, and others. FEAR AND LOATHING IN LAS VEGAS is a whirlwind of a movie, a wacky, drug-laden story backed by a fist-pumping rock & roll soundtrack featuring everything from Wayne Newton and Tom Jones to Combustible Edison and Dead Kennedys.
(5 votes)
2.
When a writing assignment lands journalist Raoul Duke (Johnny Depp) and sidekick Dr. Gonzo (Benicio Del Toro) in Las Vegas, they decide to make it the ultimate business trip. But before long, business is fogotten, and "trip" has become the key word. Fueled by a suitcase full of mind-bending pharmaceuticals, Duke and Gonzo set off on a fast and furious ride through nonstop neon, surreal surroundings and a crew of the craziest characters ever (including cameo appearances by Cameron Diaz, Christina Ricci, Gary Busey and many others). But no matter where misadventure leads them, Duke and Gonzo discover that sometimes going too far is the only way to go.
Capturing the insane madness of Hunter S. Thompson's literary classic was the challenge that director Terry Gilliam (12 Monkeys) openly embraced. Critics hailed it as: "Mindblowing. Bizarre. Outrageous. Wild." Buy the ticket. Take the ride!
(5 votes)
3.
The original cowriter and director of Fear and Loathing in Las Vegas was Alex Cox, whose earlier film Sid and Nancy suggests that Cox could have been a perfect match in filming Hunter S. Thompson's psychotropic masterpiece of "gonzo" journalism. Unfortunately Cox departed due to the usual "creative differences," and this ill-fated adaptation was thrust upon Terry Gilliam, whose formidable gifts as a visionary filmmaker were squandered on the seemingly unfilmable elements of Thompson's ether-fogged narrative. The result is a one-joke movie without the joke--an endless series of repetitive scenes involving rampant substance abuse and the hallucinogenic fallout of a road trip that's run crazily out of control. Johnny Depp plays Thompson's alter ego, "gonzo" journalist Raoul Duke, and Benicio Del Toro is his sidekick and so-called lawyer Dr. Gonzo. During the course of a trip to Las Vegas to cover a motorcycle race, they ingest a veritable chemistry set of drugs, and Gilliam does his best to show us the hallucinatory state of their zonked-out minds. This allows for some dazzling imagery and the rampant humor of stumbling buffoons, and the mumbling performances of Depp and Del Toro wholeheartedly embrace the tripped-out, paranoid lunacy of Thompson's celebrated book. But over two hours of this insanity tends to grate on the nerves--like being the only sober guest at a party full of drunken idiots. So while Gilliam's film may achieve some modest cult status over the years, it's only because Fear and Loathing is best enjoyed by those who are just as stoned as the characters in the movie. --Jeff Shannon
DVD features Criterion's high standards get even higher with Fear and Loathing in Las Vegas. "Hunter Goes to Hollywood" is a fascinating 1978 segment of the BBC's Omnibus series, following "gonzo" journalist Hunter S. Thomson and artist Ralph Steadman on a Fear and Loathing-like odyssey to La-La-Land; a visit to Thompson's Aspen, Colorado, ranch offers ample proof that Johnny Depp's later portrayal is uncannily accurate. All three commentaries are worthwhile for different reasons: as always, Gilliam is intelligent, mischievously subversive, and defiantly protective of Thompson's source material; Depp and Benicio Del Toro offer passionate perspective on tackling their demanding roles without drugs; and producer Laila Nabulsi chronicles her 10-year effort to get the film made (including the protracted writer's credit arbitration). Thompson's commentary is the least coherent but most entertaining; with occasional whoops and hollers, he's like a stand-up act for acid freaks, dispensing occasional pearls of wisdom. Another excellent feature is Depp's reading of correspondence with Thompson; in emulating his friend, Depp proves himself to be a fine writer and storyteller. Taken together, these and other features make Criterion's DVD an essential addition to Thompson's literary legacy. --Jeff Shannon
(4 votes)
4.
A Double-Disc Set...
It is 1971, and journalist Raoul Duke barrels towards Las Vegas to cover a motorcycle race, accompanied by a truckful of contraband and his slightly unhinged Samoan attorney, Dr. Gonzo. But what is ostensibly a cut-and-dry journalistic endeavor quickly descends into a feverish psychedelic odyssey and an excoriating dissection of the American way of life.
(4 votes)
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