Visually beautiful, Stanley Kubrick's last completed film Eyes Wide Shut blends the sinister, the sensual and the clinical in a combination that is rather too personal and idiosyncratic to be entirely successful as the final statement about gender and sexuality he intended it to be. Adapted by Frederick Raphael from the Dream Story of Freud's friend Schnitzler, it shows a young successful couple confront the dangers that lurk beyond monogamy; Nicole Kidman's Alice does little more than fantasise, flirt and dream, but even this causes guilt and pain. Doctor Bill (Tom Cruise) does rather more--he visits a whore, crashes an orgy and continues to ask questions when warned off; if no disaster ensues, and it is possible that two people die as a result, it is only luck that averts it.
Much of the best of what is here is to be found in occasional moments of stillness--Cruise walking through a morgue--or wild comedy--Cruise's attempt to hire a costume in the middle of the night interrupts major shenanigans at the fancy-dress shop. Cruise and Kidman do what they can with material that never means as much as it aspires to, and the standout performance is Sydney Pollack's, as a worldly wise client.
On the DVD:Eyes Wide Shut on DVD is presented in lavish Dolby Sound that makes the most of the obsessive Ligeti piano piece and Shostakovich waltz that dominate the score, and in the 1.33:1 ratio that was Kubrick's considered choice. It has subtitles in English, Arabic, Bulgarian and Rumanian, two TV spots and informative interviews with Kidman and Cruise, as well as with Steven Spielberg, to whom Kubrick had talked at length about his artistic intentions. --Roz Kaveney
(77 votes)
2.
It was inevitable that Stanley Kubrick's Eyes Wide Shut would be the most misunderstood film of 1999. Kubrick died four months prior to its release, and there was no end to speculation how much he would have tinkered with the picture, changed it, "fixed" it. We'll never know. But even without the haunting enigma of the director's death--and its eerie echo/anticipation in the scene when Dr. Bill Harford (Tom Cruise) visits the deathbed of one of his patients--Eyes Wide Shut would have perplexed and polarized viewers and reviewers. After all, virtually every movie of Kubrick's post-U.S. career had; only 1964's Dr. Strangelove opened to something approaching consensus. Quite apart from the author's tinkering, Kubrick's movies themselves always seemed to change--partly because they changed us, changed the world and the ways we experienced and understood it. And we may expect Eyes Wide Shut to do the same. Unlike Kubrick himself, it has time.
So consider, as we settle in to live with this long, advisedly slow, mesmerizing film, how challenging and ambiguous its narrative strategy is. The source is an Arthur Schnitzler novella titled Traumnovelle (or "Dream Story"), and it's a moot question how much of Eyes Wide Shut itself is dream, from the blue shadows frosting the Harfords' bedroom to the backstage replica of New York's Greenwich Village that Kubrick built in England. Its major movement is an imaginative night-journey (even the daylight parts of it) taken by a man reeling from his wife's teasing confession of fantasized infidelity, and toward the end there is a token gesture of the couple waking to reality and, perhaps, a new, chastened maturity. Yet on some level--visually, psychologically, logically--every scene shimmers with unreality. Is everything in the movie a dream? And if so, who is dreaming it at any given moment, and why?
Don't settle for easy answers. Kubrick's ultimate odyssey beckons. And now the dream is yours. --Richard T. Jameson
DVD features EDITOR'S NOTE: The U.S. (Region 1) DVD release of Eyes Wide Shut presents the film in its R-rated U.S. theatrical version--submitted and approved by Stanley Kubrick per contractual obligation--with digitally inserted figures added to obscure explicit sexual activity during the 65-second orgy scene. At present there are no plans to release the "unaltered" version on DVD in Region 1. Regarding the full-screen format of Eyes Wide Shut on DVD, the official wording on the DVD packaging is as follows: "This feature is presented in the full aspect ratio of the original camera negative, as Stanley Kubrick intended." As with the DVD formatting of The Shining and Full Metal Jacket, Eyes Wide Shut was matted in the 1.85:1 aspect ratio for theatrical presentation, but the director composed his films in camera to accommodate television broadcast and home video viewing. The official aspect ratio of Eyes Wide Shut on DVD is 1.37:1.
(79 votes)
3.
Stanley Kubrick's daring last film is many things. It is a compelling psychosexual journey. A haunting dreamscape. A riveting tale of suspense. A major milestone in the careers of stars Tom Cruise and Nicole Kidman. And "a worthy final chapter to a great director's career" (Roger Ebert, Chicago Sun-Times).
Cruise plays Dr. William Harford, who plunges into an erotic foray that threatens his marriage - and may even ensnare him in a lurid murder mystery - after his wife's (Kidman) admission of sexual longings. As the story sweeps from doubt and fear to self-discovery and reconciliation, Kubrick orchestrates it with masterful flourishes. Graceful tracking shots, controlled pacing, rich colors, startling images: bravura traits that make Kubrick a filmmaker for the ages are here to keep everyone's eyes wide open.
(75 votes)
4.
Stanley Kubrick's final film is a mature, highly intelligent, thrilling masterpiece of sexual obsession and marital (in)fidelity. Tom Cruise stars as Bill Harford, a doctor who becomes obsessed with a sexual fantasy that his wife, Alice (Nicole Kidman), confesses to him. Although the fantasy (involving a naval officer) occurred only in Alice's mind, Bill can't get it out of his own head; his obsession leads him through a series of potential sexual encounters, each one surrounded by the specter of death. His whole world threatens to unravel as he falls deeper and deeper into a web of mystery, lies, and deceit.
Kubrick's film breathes with vivid blues, reds, and blacks, the threat of illicit sex and death lurking around every corner. Cruise and Kidman, who are married in real life, are utterly convincing as a happy couple suddenly forced to reexamine their faith in each other. Sidney Pollack, Todd Field, Julienne Davis, Marie Richardson, and Vinessa Shaw sparkle in minor roles. Based on the novella TRAUMNOVELLE by Arthur Schnitzler, EYES WIDE SHUT is a brilliant examination of the psychological nature of sex and marriage, of faith and faithlessness, of obsession and desire. Kubrick said that his last film (he died shortly before the film opened) was "my best film ever;" while that is debatable, there is no doubting that the film is a splendid finale to a glorious career.
(64 votes)
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