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964 Pinnochio (1992) - movie plots

964 Pinnochio (1992)

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Directed by
Shozin Fukui
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Cast
Hage Suzuki, Onn Chan, Kyoko Hara, Koji Kita, Ranyaku Mikutei [more]


DVD Release Date
• R1: Dec 28, 2004

Running Time
1 hour, 33 minutes

Country Japan

More info on IMDb.com

Other Titles
• 964 Pinnochio
• Screams of Blasphemy (1992)



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 Synopses for 964 Pinnochio (1992)
1.One of the most intense and exciting of the gore filled cyberpunk films coming out of Japan. An android built to pleasure rich homely women malfunctions by having emotions so he has his memory zapped and is dumped onto the streets of Tokyo. He begins a relationship with a street girl and then it starts getting weird. With the world’s longest puking scene.

(www.coppfilms.com)

Pinnochio 964 is a sex android created to service lonely women. A newer 964 falls short of expectation, is lobotomized and thrown out into the streets where he is taken in by a squatter girl named Himiko. She helps him recuperate from the lobotomy, slowly regaining his speech etc. in order to exact a revenge against his creators. Sex, insanity, body fluids, hamorrhaging, violence, gore and surreal disturbing imagery all around! Directed by avante-garde cyber punk film maker Shojin Fukui.

(www.angelfire.com/film/mutilated_insanity/)
  

2.  Pinocchio 964 is the nightmare of a cybernetic sex android let loose into the world without a memory. Wandering around Japan, Pinocchio finds Kyoko, another amnesiac with a horrible secret to her own memory loss. Together they try to piece their lives and live in a world where memory is no longer needed. At the same time, Pinocchio's fiendish architect and master is desperately trying to find his lost prototype before the world finds him. As agents hunt down Pinocchio, the sex android begins to unravel in what can only be said is a hallucinogenic thrill ride that has to be seen to be believed. Shozin Fukui's masterful direction gives the viewer a totally unique experience along the lines of, "Tetsuo the Iron Man". This underground classic packed the theaters in Japan and stood out among so many other films that it was hailed as a masterpiece of innovation in Japan's film industry.     



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