Hester Street is a delightfully quaint film about the assimilation of Jewish immigrants in America in the late 1800s. Steven Keats is Jake, a self-made Yankee who has shaved his beard and side curls in favor of an updated look. An émigré from Russia, Jake's been living in New York's Lower East Side for five years, taking up with a new woman and earning enough money to support his dance hall ways. To his dismay, his wife, Gitl (played charmingly by Carol Kane), and son, Yossele, join him from the Old World. Jake is embarrassed by his wife, who retains her religious ways, wearing the wigs and scarves that tradition dictates. In turn, Gitl is distraught over the changes in Jake, who insists on calling their son Joey and trying to modernize them both.
Those used to Kane as a comedian will be surprised at her quiet performance in this simple period piece, for which she was nominated for an Academy Award®. Her story, though, is compelling, and in the end, immensely satisfying. The black and white film is rough around the edges--microphones in shots, occasional poor sound--but Hester Street nonetheless offers an engaging look at another time and a completely different way of life. --Jenny Brown
2.
The desire to shed or suppress all traces of one's original culture has been a primal experience of nearly all immigrants; Joan Micklin Silver's adaptation of Abraham Cahan's story makes clear that it's a process edged with pathos. Carol Kane stars as Gitl, an Eastern European Jew who arrives with her child on Ellis Island in 1896 to join her husband, Jake (Stephen Keats). She is surprised to discover that Jake has abandoned the mores of his culture by cutting off his beard and earlocks, and he's adopted the mannerisms of his new country, including a new girlfriend (Dorrie Kavanaugh) who runs a dance hall. Gitl, unwilling to part with traditions so easily, creates a rift in the marriage that is difficult to overcome. Kane, who was nominated for an Oscar, and Micklin Silver, in her directorial debut, collaborate to high-caliber effect in this touching, amazingly painstaking evocation of immigrant life on New York's Lower East Side in the 1890s.
3.
"Genuinely moving to all who are swept into its passionate embrace."-Rex Reed, Daily News
Carol Kane (Annie Hall, Carnal Knowledge, Dog Day Afternoon) stars with Doris Roberts (Everybody Loves Raymond) in Joan Micklin Silver's touching tale of Gitl (Kane), a young Jewish woman who comes to America in the 1890s, only to discover that her husband, Jake (Stephen Keats, from The Executioner's Song and Black Sunday), has given up the ways of the old country, and taken up with a new girlfriend, and a new life. By turns heartbreaking, comic, and sharply observed, this remarkable film won Kane an Academy Award nomination for Best Actress in 1975, and launched director Joan Micklin Silver's career.
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