Two bright facets light up Hell's Angels, a 1930s aviation melodrama. One is the extraordinary footage re-creating World War I air battles; the other is 18-year-old Jean Harlow. Both are enough to offset the cornball story and stilted dialogue, the latter added late in production, with the advent of motion-picture sound. The movie, almost three years in the making, with a budget of nearly $4 million--very high for its day--was the obsession of eccentric millionaire director Howard Hughes. Apparently, the authenticity of the dogfight scenes was so important to Hughes that he piloted a plane himself, and ended up breaking a few bones in the process. More shocking, it's said that three pilots lost their lives making the movie. The sequence depicting an epic encounter between the British Royal Flying Corps and a German zeppelin is especially stunning, thanks to the eye-popping use of hand tinting. A bombing raid on a German munitions depot is also remarkably convincing.
The movie's other bombshell, Jean Harlow, fairly jumps off the screen as an upper-class floozy who plays fast and loose with the two leading men, RFC pilots Monte and Roy Rutledge (Ben Lyon and James Hall), one a scoundrel and one a saint. Harlow glows in the film--it's immediately obvious why her appearance here put her on the fast track to Hollywood stardom. Beauty, sex appeal, vulnerability, audacity--whatever the intangible something is that makes a movie star, it's clear Harlow had it, even as a teenager. --Laura Mirsky
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One of James Whale’s first films, HELL’S ANGELS is a story of love, war, and betrayal that rocketed Jean Harlow to stardom. The Rutledge brothers--upstanding Roy (James Hall) and irresponsible playboy Monte (Ben Lyon)--are carefree Oxford students until war breaks out. Their friend Karl (John Darrow) is unwillingly drafted for Germany, while Roy eagerly joins the Royal Flying Corps and Monte accidentally enlists. Meanwhile, Roy insists that Monte meet Helen (Jean Harlow), the beautiful girl he loves. When Helen and Monte meet, sparks fly. Helen is not the sweet girl that Roy imagines and takes every opportunity to prove it in some racy scenes that would become illegal under the Hays Office Production Code a few years later. As the war progresses, Monte begins to lose his nerve, and Roy must push him to accept a flying mission that could alter the entire war. In one of cinema’s great air displays, the Royal planes fight the Germans in a dogfight to end all dogfights. Utilizing tinting for night scenes and the rarely used two-tone Technicolor process (watch for the zeppelin scene), HELL’S ANGELS is both a special effects wonder and an old-fashioned tale of betrayal and sacrifice.
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