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Cemetery Man (1994) - movie plots

Cemetery Man (1994)

User Rating
72%
(31 votes)
Critic Rating
86%
(3 reviews)
OverviewReviewsCommentsForumProduction InfoAdd to MyMovies 

Quotes (16)
Trivia (4)
Plot Description
Soundtrack
Wallpapers
Shooting Locations
Popularity

Original title: Dellamorte Dellamore

Directed by
Michele Soavi

Written by
Gianni Romoli, Tiziano Sclavi

Cast
Rupert Everett, Anna Falchi, François Hadji-Lazaro, Mickey Knox, Fabiana Formica [more]



Budget USD 4,000,000

MPAA Rating
Rated R for macabre violence and gore, strong sexuality and some language.

Running Time
1 hour, 45 minutes

Country Italy | France | Germany

Studio Audifilm, Bibo Film & TV, K.G. Productions, Silvio Berlusconi Communications, Urania Film

More info on IMDb.com

Other Titles
• Dellamorte Dellamore
• Cemetery Man
• Demons '95 (1994)
• Of Death and Love (1994)
• Of Death, of Love (1994)
• Mi novia es un Zombie (1994)



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 Synopses for Cemetery Man (1994)
1.In the small town Buffalora, in the north of Italy, Francesco (Rupert Everett) has a strange job at the local cemetery. When the dead are buried, they rise from the grave, and he must kill them a second time. He doesn't question why they rise, and sees it only as part of the job. When he meets a beautiful widow (Anna Falchi) at her husband's funeral, he falls in love with her. But their romance is short lived, when he returns from the dead and kills her as well. As Francesco questions whether to leave or not, he begins to ask himself "What is life, and what is death?"   
61.071428571429%
(56 votes)

2.

If you think you hate your job, think again. Francesco Dellamorte (Rupert Everett), the titular Cemetery Man, lives a lonely life with a dead-end career. He works and resides in a cemetery that holds a dark, hidden secret. You see, those who are buried in Dellamorte's cemetery have the tendency to rise from the dead. Francesco's job is to make sure the dead remain dead. When they rise, he must hunt them down and ensure they get their eternal rest. Since his strange career takes up most of his time, there is no room in his life for romance or friendship. His sole companion is his mute, Igor-like assistant Gnaghi (François Hadji-Lazaro). Not surprisingly, Francesco has grown weary of the dull drum and repetitive routine his job and life have become. It is not until he meets the girl of his dreams (Anna Falchi), who happens to be a widow attending her husband's funeral, that Francesco realizes that there may be more to life than this. Sound a bit odd? Well, it is. But fans of the zombie and the "twentysomething disgruntled worker" genres will feel right at home with this Michele Soavi cult favorite. At its center, Cemetery Man is a black comedy/existential mediation on loneliness and career disappointment. But where Fight Club is entrenched in an action/buddy-flick setting and Office Space is a strict black comedy, Cemetery Man is staged deep in the Italian zombie genre, giving it extra points for originality. --Rob Bracco

Product Description
Rupert Everett (MY BEST FRIEND’S WEDDING) stars as Francesco Dellamorte, a cemetery watchman whose job is to slaughter the living dead when they rise hungry from their graves. But following a tragic tryst with a lusty young widow (stunning Anna Falchi in one of three sexy roles), Francisco begins to ponder the mysteries of existence. Is there long-term satisfaction in blasting the skulls of ‘returners’? Will his imbecile assistant find happiness with the partial girl-corpse of his dreams? And if death is the ultimate act of love, can a psychotic killing spree send Dellamorte to the brink of enlightenment? Italian horror master Michele Soavi (STAGE FRIGHT) directed this brilliantly bloody black comedy — also known as DELLAMORTE DELLAMORE — that Gore Score calls "a deliciously demented, delightfully surreal stew of sex, death, splatter, male-bonding, barfing, zombies and nothing less than the Ultimate Meaning of Life!"

  
61.153846153846%
(52 votes)

3.A gruesome horror comedy about a cemetery caretaker's battle with zombies who rise from their graves. To destroy them, he must mutilate their heads -- a task easier said than done, especially when the undead fiends start popping up from the ground with increasing frequency. His plight is made considerably more pleasant when he meets and falls in love with a beautiful widow. Unfortunately, she gets attacked by the creatures and transforms into one of them. Will he kill her -- or join her?   
62%
(50 votes)

4.
From The New Yorker
It begins promisingly, like one of the old Mario Bava Italian horror movies: a graveyard watchman (Rupert Everett, in various stages of undress) who dispatches the dead when they come back to life falls for a beautiful widow, and their romance is sexy, ghoulish fun. But eventually the watchman loses his mind, becoming unable to distinguish the dead from the living, and the movie loses its humor as it turns into a listless existential exercise about the meaning of life and death. The director, Michele Soavi, shoots with a hip, decorative eye-he has a gift for atmosphere-but his story is missing the sensational excesses of a "Re-Animator" or an "Evil Dead 2"; he takes the madness seriously. -Bruce Diones
Copyright © 2006 The New Yorker

Product Description
Rupert Everett (MY BEST FRIEND’S WEDDING) stars as Francesco Dellamorte, a cemetery watchman whose job is to slaughter the living dead when they rise hungry from their graves. But following a tragic tryst with a lusty young widow (stunning Anna Falchi in one of three sexy roles), Francisco begins to ponder the mysteries of existence. Is there long-term satisfaction in blasting the skulls of ‘returners’? Will his imbecile assistant find happiness with the partial girl-corpse of his dreams? And if death is the ultimate act of love, can a psychotic killing spree send Dellamorte to the brink of enlightenment? Italian horror master Michele Soavi (STAGE FRIGHT) directed this brilliantly bloody black comedy — also known as DELLAMORTE DELLAMORE — that Gore Score calls "a deliciously demented, delightfully surreal stew of sex, death, splatter, male-bonding, barfing, zombies and nothing less than the Ultimate Meaning of Life!"
  
59.2%
(50 votes)



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