Superbly adapted and directed by Tim Robbins from the nonfiction book of the same name by Sister Helen Prejean, this spiritually enlightened drama is too intelligent to traffic in polemics or self-righteous pontifications against the death penalty. But in examining the issue of capital punishment from a humanitarian perspective, the film urges thoughtful reflection on the justifications for legally ending a human life. Although it features a fine supporting cast, the film maintains its sharp focus through flawless lead performances by Oscar-winner Susan Sarandon as the Catholic nun Prejean, and Sean Penn as the death-row killer she struggles to save. Robbins avoids a biased message, letting the movie examine both sides of the issue instead (R. Lee Ermey gives a fine performance as the grief-stricken father of one of Penn's victims). As the drama unfolds and Penn's execution deadline grows near, Dead Man Walking is graced by compelling depths of theme and character, achieving an emotional impact that demands further reflection and removes the stigma of piousness from socially conscious filmmaking. --Jeff Shannon
(34 votes)
2.
Sister Helen Prejean (Sarandon), a compassionate New Orleans nun, is the spiritual advisor to Matthew Poncelet (Penn), a vicious, angry and complex murderer awaiting execution. Her dedication is to help others, like Matthew, find salvation. But as she attempts to navigate Mathew?s dark soul, she encounters a depth of evil that makes her question how far redemption can really go. Can she stave off the fateful day of execution long enough to save Matthew, or will she discover a truth that will rock the very foundation by which she lives her life?
(30 votes)
3.
This fascinating and powerful drama explores the relationship between a condemned young convict and the nun who counsels him in the days leading up to his execution. Matthew Poncelet (Sean Penn) is on death row after being convicted of raping and brutally murdering a young couple. He writes to Sister Helen Prejean (Susan Sarandon) for help, asking her to visit him in prison. She agrees to act as his spiritual adviser and begins to spend time each day with him. Prejean, who strongly opposes capital punishment, attempts to get Poncelet's death sentence rescinded. First, however, she tries to save Poncelet's soul by getting him to face up to his guilt and ask forgiveness for his actions.
Based on the real-life experiences of Sister Helen Prejean, the film shows the horrors of state-sanctioned executions while also dealing sympathetically with the grief felt by the families of the two murder victims. Sarandon and Penn turn in top-notch performances in this award-winning film written, directed, and produced by Tim Robbins (BOB ROBERTS, CRADLE WILL ROCK).
(28 votes)
4.
A serious film on a serious subject, Dead Man Walking (1995) is enriched by two excellent performances: Sean Penn as a murderer and rapist facing execution on Death Row, and Susan Sarandon as a nun who visits and befriends him. Tim Robbins, the writer and director of the film (and Sarandon's husband), based the film on a true story, and there's not much narrative tension since it's obvious Penn will not escape his fate. But the film is a clear-eyed look at the realities of capital punishment and its grisly rituals, which at the same time never sentimentalises the people or the issues. There is no shying away from the evil of the murderer's acts and their effects on the victims' families, but this is balanced against the heartlessness and cynicism of those in the prison system and their political masters. It's hard to say whether the film is ultimately against capital punishment; it certainly encourages you to think for yourself.
On the DVD: The image and sound quality is excellent, in widescreen ratio 16:9. There's a theatrical trailer and a TV commercial for the film, which also has language tracks in English, French and Spanish and subtitles in English, French, Spanish, Dutch and Hungarian. There's also an audio commentary on the film by director Tim Robbins which gives valuable insights into the political background of the film and the shooting process. --Ed Buscombe
(27 votes)
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