Release Date: Jan 25, 2005 Region: 1 Runtime: 154 mins Studio: Disney / Buena Vista Audio:
ENGLISH: Dolby Digital Surround [CC] ENGLISH: DTS Surround [CC]
Video:
Widescreen 2.35:1 Color (Anamorphic)
Subtitles: [None] Packaging: Custom Case Rating: R Features:
"Pulp Fiction: The Facts" Documentary Deleted Scenes "The Charlie Rose Show": Interview with Quentin "Siskel & Ebert At The Movies": "The Tarantino Generation" Production Design Featurette Behind-The-Scenes Montages Interviews From the Independent Spirit Awards Palme d'Or Acceptance Speech Reviews and Articles Analyzing The Film Filmographies Theatrical Trailers From Around The World TV Spots 8 Different Still Galleries, Featuring Hundreds of Photos Soundtrack Chapter Stops Enhanced Playback Track: DVD-ROM Feature Synchronized Trivia Game: DVD-ROM Feature Screenplay Viewer: DVD-ROM Feature Open Mic Commentary: DVD-ROM Feature
With Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender after initial success with 1992's Reservoir Dogs. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultra-hip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. It packs so much energy and invention into telling its non-chronologically interwoven short stories (all about temptation, corruption and redemption among modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson
Release Date: Sep 16, 2002 Audio:
DTS Surround
Video:
2.35 Wide Screen
Features:
Deleted Scenes With Quentin Tarantino Introductions Theatrical Trailers TV Spots Production Design Featurette Pulp Fiction Stills Gallery Siskel And Ebert At The Movies The Tarantino Generation Independent Spirit Awards Michael Moore Interviews Quentin Tarantino Cannes Film Festival Palme d or Award Ceremony Acceptance Speech Charlie Rose Show Original Documentary Tarantino Fiction Behind The Scenes Montages
With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that re-established John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and PT Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson