Edward D. Wood Jr. was an actor writer-director-producer, occasionally in drag, who combined meager bursts of talent with an undying optimism to create some of the most bizarrely memorable "B" movies to ever come out of Tinseltown. Though Wood died in obscurity as an alcoholic in 1978, his films have been considered cult classics for years. He is consistently voted the worst director who ever lived. You would think this an odd subject, but director Tim Burton harnesses the undying hopefulness that made Wood such a character. Shot in black and white, just like Wood's creations, this stylized, witty production captures the poetic absurdity of Wood's films and his unconventional life. Burton's recreation of Wood's wonderfully awful Plan 9 from Outer Space looks much better than the original low-budget quickie. Burton tackled an extremely strange subject matter for a biopic, but Wood is presented as naive almost to the point of delusion, so the story works. The pace sags in the middle, as the weirdness starts to wear thin, but Depp proves himself an adroit actor, even while wearing angora and a blonde wig. Wood's unconventional repertoire company is faithfully reproduced, including an Academy Award-winning Martin Landau as Bela Lugosi. Landau is pathetic, droll, and charismatic as the elderly junkie who made his last screen appearances in Wood's films. --Rochelle O'Gorman
2.
A stranger-than-fiction true story of the early career of Edward D. Wood, Jr., the undisputed "worst movie director of all time," Tim Burton's ED WOOD is nevertheless a delightful, zany, and ultimately moving film. Wood was the auteur behind GLEN OR GLENDA? (1953) and PLAN 9 FROM OUTER SPACE (1959), and it is during the making of these two no-budget flicks that Wood is profiled. His friendship with the aging, drug-addicted, former film star Bela Lugosi--who he cast in his movies--is one of the most poignant characters ever portrayed on film. Wood had an infectious enthusiasm which inspired his cohorts, including transsexual wannabe Bunny (Bill Murray), the psychic Criswell (Jeffrey Jones), and behemoth wrestler Tor Johnson (George "The Animal" Steele). To a large extent, ED WOOD celebrates bad filmmaking raised to the level of a fine art form. With his fetishistic style of dressing in for pumps, narrow skirts and angora sweaters, Ed Wood was as much of an outsider as his actors. Perhaps the final irony is that ED WOOD may be one of the best films of all time about one of the worst filmmakers of all time.
3.
Acclaimed filmmaker Tim Burton brings to life the true and hilarious story of Ed Wood (Johnny Depp), the wackiest and worst movie director of all time. When Ed Wood pulls together his ragtag band, including has-been horror star Bela Lugosi (Martin Landau), a cross-dressing actor named Bunny (Bill Murray) and Ed's no-talent girlfriend (Sarah Jessica Parker), bad moviemaking and hilarious hijinx follow! Ed Wood refuses to let minor setbacks like unfinished scenes, terrible reviews or hostile studio executives get in his way as he pursues his dreams of making it big in Hollywood!
4.
The significance of Ed Wood, both man and movie, on the career of Tim Burton cannot be emphasised enough. Here Burton regurgitates and pays homage to the influences of his youth, just as he would continue to do with Mars Attacks! and Sleepy Hollow. Everything is just right, from the decision to shoot in black and white, the performances of Johnny Depp (as Ed) and Martin Landau (as Bela Lugosi), the re-creation of 1950s Hollywood and the evocative score by Howard (Lord of the Rings) Shore. The plot struck a poignant familiar chord with Burton, who saw the relationship between the Ed and Lugosi mirroring his own with Vincent Price. Most importantly Burton responded to the story of the struggling, misunderstood artist. For all Burton's big-budget blockbusters (Batman, Planet of the Apes), he still somehow retains the mantle of the kooky niche director. And in the mid-90s, this film actually represented the last vestiges of his independent film production. Fans can only hope he'll soon return to those roots soon.
On the DVD:Ed Wood on disc has a good group commentary in which Burton is interviewed rather than expected to hold forth on his own, making his insights alongside the screenwriters, Landau, and various production heads very worthwhile. Also worthy are the featurettes on Landau's Oscar-winning make-up, the FX and the Theremin instrument employed in the score. Best of all is an extremely exotic Music Video based on that score. This doesn't seem to be a new transfer of the film, but in black and white you're less likely to notice. --Paul Tonks
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