Other Titles • True Romance (1993) • Breakaway (1993)
Synopses for True Romance (1993)
1.
Two lovers (Slater and Arquette) are thrust into a dangerous game of high-stakes negotiations and high-speed adventure. The pair come into unexpected possession of a suitcase of mob contraband. They flee to LA, where they'll sell the goods and begin a new life. But both sides of the law have other ideas.
(19 votes)
2.
It was directed with energetic skill by Top Gun Tony Scott, but t his breathtaking 1993 thriller (think of it as an adolescent crime fantasy on steroids) has Quentin Tarantino written all over it. True Romance is really part of a loose trilogy that includes Reservoir Dogs and Pulp Fiction, with a crackling Tarantino screenplay that rides a fine line between raucous comedy and violent excess. Christian Slater plays Clarence, the comic-book lover who meets a beguiling prostitute named Alabama (Patricia Arquette), confronts her vicious pimp (Gary Oldman), and embarks on a cross-country odyssey with $5 million worth of Mafia cocaine. Mayhem ensues, culminating in a favourite Tarantino climax--the "Mexican standoff"--in which a roomful of guys are pointing guns at each other, waiting to see who shoots first. Brutal, profane, and totally outrageous, True Romance is not for everyone, but with a supporting cast that includes Dennis Hopper, Christopher Walken, Brad Pitt, and Val Kilmer (as the ghost of Elvis!), you can be sure this movie will never be boring. --Jeff Shannon, Amazon.com
(19 votes)
3.
When inexperienced call girl Alabama Whitman (Patricia Arquette) is paid to seduce comic-book-nerd and Elvis fanatic Clarence Worley (Christian Slater), she doesn’t expect to fall for him. But these two lost souls seem to be made for each other and quickly pledge their love, marrying at Detroit's city hall. Clarence discovers some newfound bravado and attempts to retrieve Alabama’s possessions from her pimp, Drexl (Gary Oldman), who isn’t exactly eager to let Alabama go. Fleeing Drexl's apartment, Clarence not only leaves a trail of bodies, but also inadvertently mistakes a suitcase of uncut cocaine for one with his wife’s clothing, and the chase is on. The unlikely newlyweds head for Los Angeles hoping to sell the cocaine and make enough money to leave the country. Unfortunately, they also have to contend with the mob, yuppie drug dealers and the police. Michael Rapaport is amusing as Clarence’s best friend who lives with Floyd, a stoner played by Brad Pitt. A sedate Dennis Hopper appears as Clarence’s father, who ultimately faces off with mob boss Vincenzo Coccotti (Christopher Walken). Director Tony Scott (CRIMSON TIDE, ENEMY OF THE STATE) does justice to the violence and quirkiness of Quentin Tarantino’s second feature film script.
(17 votes)
4.
Written by Quentin Tarantino and directed by Tony Scott, True Romance is hilarious, violent and strangely moving. It's part homage to Terence Malick's Badlands, part autobiography, part nerdy male fantasy--and it's Tarantino's first and, some say, finest work. Although it fared poorly at the box office at the time it soon became an established cult classic, with a supporting cast that beggars belief: Brad Pitt, Christopher Walken, James Gandolfini, Val Kilmer, Dennis Hopper, Samuel L Jackson and Gary Oldman all play minor roles, all to devastating effect.
Christian Slater stars as Clarence, the video-store clerk who's set up with Patricia Arquette's hooker Alabama on his birthday. They fall in love for real but have to hit the road when Clarence, egged on by the ghost of Elvis, kills Alabama's pimp Drexl (Oldman) and makes off with a consignment of neat cocaine, mistaking it for a suitcase of Alabama's clothes. Now both the police and the mafia are after them. Two among many great sequences stand out. The first is when cop Dennis Hopper, refusing to give up son Clarence to Christopher Walken's mafiosi, makes his famous "The Sicilians were spawned by niggers" speech. In context, it's actually not racist--it's a gesture of great courage and love from dad to son, while also calculated to mock the uptight racial sensibilities of the mafia. The second is when Alabama turns the tables on James Gandolfini's mafia henchman at the motel in a prolonged and brutal sequence which nonetheless emphasises the glowing, pink heart-shaped message at the centre of the film--that true love conquers all, albeit here in a hail of bullets that leaves practically everyone dead.
On the DVD:True Romance is excellently reproduced on disc and there is an abundance of extras for this Special Edition. These include a number of mostly superfluous deleted and extended scenes, though the one in which Samuel L Jackson offers his views on the merits of "pussy-eating" is worth catching, as is the "alternate ending", which Tarantino had intended in his script. There is also access to the director's storyboards as well as commentaries from many of the cast, director Scott and from Tarantino himself, who, given his usual reluctance to provide such commentaries, is informative and chatty here. This is a superb package, although this "director's cut" is identical to the previous DVD edition. --David Stubbs
(16 votes)
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