This excellent film is probably best described as subtle elegance. Framed in the present, the movie deals with the lives inside an English country home just prior to World War II. Reunited with the filmmakers from Howards End are Emma Thompson as Miss Kenton, the head housekeeper, and Anthony Hopkins as Stevens, the impeccable butler. The bittersweet story centers on Stevens and his dedication to his master, Lord Darlington (a suitably officious and slyly pompous James Fox). Stevens summarizes: "I don't believe a man can consider himself fully content until he has done all he can to be of service to his employer." Enveloping Stevens's world are the pending war with Germany, Darlington's horribly misguided interests in said war, and, most effectively, his relationship with Miss Kenton. Stevens is the very essence of repression, but as played by Hopkins he is neither piteous nor self-righteous. Like his master, Stevens becomes misguided in his loyalties, although his is an emotional deprivation, possibly condemning him to lifelong regret. There's so much going on in this film, and yet the action is skillfully depicted through understanding and knowing glances, through emotions expressed only through eye contact. Like other Merchant-Ivory-Ruth Prawer Jhabvala collaborations, this film is sumptuous to look at, capturing the period effectively and affectingly. Jhabvala respectfully adapts from the Kazuo Ishiguro novel. Excellent in supporting roles are Christopher Reeve, Ben Chaplin, and Hugh Grant. --N.F. Mendoza
2.
James Ivory directed this quietly moving film set just prior to World War II. On the large English estate of Lord Darlington (James Fox), a disciplined English butler, Stevens (Anthony Hopkins), devotes himself to his duties with rigorous dedication. Like his father (Peter Vaughan) before him, Stevens lives to serve--to bring order and certainty to the estate’s minutiae. Though Stevens has the opportunity to break free of this mold in the form of a romance with the spirited housekeeper, Miss Kenton (Emma Thompson), he chooses to remain within the safe structure of the household, even one that has misguided loyalties to Nazi Germany. Christopher Reeve and Hugh Grant costar as men hoping to show Lord Darlington the danger of his allegiances. THE REMAINS OF THE DAY was Merchant-Ivory's follow-up to HOWARDS END, which also starred Hopkins and Thompson; both actors were nominated for Academy Awards for their roles as dutiful servants in the later film.
3.
"... A Magnificent Movie." -Michael Medved, New York Post
Oscar®-winners Anthony Hopkins (The Silence of the Lambs) and Emma Thompson (Howards End) reunite with the acclaimed Merchant Ivory filmmaking team for this extraordinary and moving story of blind devotion and repressed love.
Hopkins stars as Stevens, the perfect English butler, an ideal carried by him to fanatical lengths, as he serves his master Lord Darlington, beautifully played by James Fox (The Servant). Darlington, like many other members of the British establishment in the 1930s, is duped by the Nazis into trying to establish a rapport between themselves and the British government. Thompson stars as the estate's housekeeper, a high-spirited, strong-minded young woman who watches the goings-on upstairs with horror.
Despite her apprehensions, she and Stevens gradually fall in love, though neither will admit it, and only give vent to their charged feelings via fierce arguments. The film is marvelously acted by a supporting cast that includes Christopher Reeve and Hugh Grant.
4.
The Remains of the Day is one of Merchant-Ivory's most thought-provoking films. Anthony Hopkins is a model of restraint and propriety as Stevens, the butler who "knows his place"; Emma Thompson is the animated and sympathetic Miss Kenton, the housekeeper whose attraction to Stevens is doomed to disappointment. As Nazi appeaser Lord Darlington, James Fox clings to the notion of a gentleman's agreement in the ruthless political climate before World War Two. Hugh Grant is his journalist nephew all too aware of reality, while Christopher Reeves gives a spirited portrayal of an American senator, whose purchase of Darlington Hall 20 years on sends Stevens on a journey to right the mistake he made out of loyalty. As a period drama with an ever-relevant message, this 1993 film is absorbing viewing all the way.
On the DVD: the letterbox widescreen format reproduces the 2.35:1 aspect ratio with absolute clarity. Subtitles are in French and German, with audio subtitles also in English, Italian and Spanish, and with 28 separate chapter selections. The "making-of" featurette and retrospective documentary complement each other with their "during and after" perspectives, while "Blind Loyalty, Hollow Honour" is an interesting short on the question of appeasement and war. The running commentary from Thompson, Merchant and Ivory is more of a once-only diversion. --Richard Whitehouse
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