Based on a novel by James Michener, Sayonara earned a fistful of Oscar® nominations (including Best Picture, Director, and Actor) in 1957 and wound up winning statuettes for supporting actors Red Buttons and Miyoshi Umeki. Marlon Brando plays a Korean War fighter pilot, the son of a general, reassigned to Japan, where fraternization with local women is taboo. After breaking off his engagement to another general's daughter, he finds himself falling for a Japanese entertainer (Miiko Taka), then struggling with his own bias. Subplots deal with other servicemen (played by Buttons and James Garner) who also fall for Japanese women. Directed by Joshua Logan from a script by Paul Osborn, the film takes a then-daring look at prejudice as well as post-war racial bias against the Japanese. Brando's Southern accent makes him sound like Matthew McConaughey, while Buttons is actually touching as tough, tender American struggling against racism. --Marshall Fine
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Gruver, an Army major during the Korean War, finds that his relationship with his fiancee has soured. So when he meets an alluring Japanese performer, he happily allows romance to blossom. But the military, and society in general, don't look kindly on an interracial relationships, and the lovers must constantly contend with distrust and prejudice.
Then a tragedy befalls Gruver's buddy Joe and his Japanese wife -- and suddenly he wonders whether his love can withstand the hardships to come.
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"A picture of beauty and sensitivity." -Variety
Brando's brilliantly conceived, Oscar®-nominated lead performance provides the dramatic heart of Sayonara, a poignant outcry against bigotry that received 10 Academy Award® nominations and garnered four Oscars®. James Garner, Red Buttons and the lovely Miyoshi Umeki co-star in this poignant and powerful film hailed as "an enchanting love story. One of the year's top ranking motion pictures" (Los Angeles Mirror-News).
Major Lloyd Gruver (Marlon Brando), a Korean War flying ace reassigned to Japan, staunchly supports the military's opposition to marriages between American troops and Japanese women. But that's before Gruver experiences a love that challenges his own deeply set prejudices. . .and plunges him into conflict with the U.S. Air Force and Japan's own cultural taboos.
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